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Contents ( 81)
  1. Cover
  2. Praise for These Nameless Things
  3. Books by Shawn Smucker
  4. Title Page
  5. Copyright Page
  6. Dedication
  7. Epigraphs
  8. Contents
  9. Anytime to Three Months
  10. I’m Afraid Not
  11. The White-Haired Woman
  12. The Emptiness
  13. Looking for You
  14. Closer Than They Might Appear
  15. The First Drowning
  16. The Tea Party
  17. The Field
  18. My Own Flesh and Blood
  19. Crossing Over
  20. A Place in This World
  21. Leaving
  22. The Man in the Hotel
  23. Driving Away
  24. Gone Again
  25. No Trespassing
  26. Into Nysa
  27. No Cares in the World
  28. You Should Turn Around
  29. When Everything Started Happening
  30. An Unexpected Encounter
  31. Night Swimming
  32. Shirley
  33. The Woman at the Window
  34. What’s Real?
  35. The Question
  36. The End of Me
  37. She Went Under
  38. Desecrated
  39. The Carpet
  40. The Boat
  41. Sinking
  42. The Weight of Memory
  43. Photographs
  44. Was It You?
  45. A Wedding and a Ring
  46. Dreams and Open Windows
  47. New Developments
  48. The Door
  49. Going Under
  50. The Loss of You
  51. The Glassy Sea
  52. Following Her Down
  53. Something Beyond Us
  54. Let’s Not Leave Her Alone Anymore
  55. Too Many Secrets
  56. Heavy Things
  57. She’s Gone
  58. Our Future Spelled Out
  59. Screams at the Cabin
  60. So Close
  61. When You Arrive at the End, Keep Going
  62. It’s True
  63. The Other Side
  64. Reality
  65. Swimming Underwater
  66. Only the Deepest Pools Remain
  67. The Open Window
  68. When I Knew
  69. The Clouds Bear Down
  70. The Far Green Country
  71. Gone
  72. The Fly
  73. The Nesting Doll
  74. Two Months Later
  75. Floating Away
  76. Another mesmerizing story from Shawn Smucker
  77. Prologue
  78. Acknowledgments
  79. About the Author
  80. Back Ads
  81. Back Cover

Shirley’s defenses seemed to be crumbling.

“C’mon,” Tom said.

Into Nysa

The morning drive is long and slow and sleepy, and you drift in and out beside me in the passenger seat. Out of nowhere, the bridge to Nysa appears. I had lost track of where we were, my mind wandering through all of these long years, and then the bridge emerges, rising up above the tree line. It’s a lumpy old arc of metal and concrete, but I have to admit that seeing it brings a tear to these old eyes. I reach up and touch the knot. I look over at you. You have been sleeping for at least an hour.

“Pearl,” I whisper almost reverently. “Pearl. Wake up. We’re almost at the bridge.”

You yawn and stretch, your limbs unfurling like one of those fiddlehead ferns in time-lapse, and you rub your eyes. “Where are we?”

“We’re nearly at the bridge that goes over to Nysa,” I say, and we drift off the exit and make a right onto the simple two-lane road that leads toward the bridge.

The forest in those parts is dense and dark, so when we drive down the exit ramp and off the highway it is like we are submerging underwater. You, however, rise. You press your nose against the window, and I can see a mini caldera of steam form on the glass. We drive through the deep shadows, and sharp flashes of light fall through gaps in the trees. I put my window down a few inches, and I can smell the water. I feel suddenly like I’m home. It’s been forty years since I felt this way.

We arrive at the bridge, begin driving up its long span, and the whole sky opens up. There is one lonely boat droning its way upriver, to the left and away from us, its hull smacking the water over and over. I have such a strong longing to be in that boat, to feel the spray, the sun, the almost violent up-and-down movement, being tossed, to close my eyes and smile at the expanse of the river.

You turn downriver, looking to our right, your face open to every possibility offered to us by the wide world. We get to the top of the bridge and begin another descent, this one down onto this strange terrain, this Nysa. The forest that waits for us on the far side of the bridge is even more dense than what we’ve already driven through, if that’s possible, and far beyond those trees I can see the flat expanse of farmers’ fields, but I can’t yet see the small town. I can imagine it. I can see it how it used to be, forty years ago.

Strangely enough, so far nothing has changed. Yes, the bridge is crumbling, the cement barriers missing chunks, the pavement cracked and pockmarked. I had prepared myself on the drive for developed land, perhaps mansions along the river with their own docks slicing the water and cell phone towers rising through the trees. But the woods are exactly as I remember them, the river the same, the sky as endless as it ever was. I can easily imagine that I am eighteen again.