Contents ( 81)
- Cover
- Praise for These Nameless Things
- Books by Shawn Smucker
- Title Page
- Copyright Page
- Dedication
- Epigraphs
- Contents
- Anytime to Three Months
- I’m Afraid Not
- The White-Haired Woman
- The Emptiness
- Looking for You
- Closer Than They Might Appear
- The First Drowning
- The Tea Party
- The Field
- My Own Flesh and Blood
- Crossing Over
- A Place in This World
- Leaving
- The Man in the Hotel
- Driving Away
- Gone Again
- No Trespassing
- Into Nysa
- No Cares in the World
- You Should Turn Around
- When Everything Started Happening
- An Unexpected Encounter
- Night Swimming
- Shirley
- The Woman at the Window
- What’s Real?
- The Question
- The End of Me
- She Went Under
- Desecrated
- The Carpet
- The Boat
- Sinking
- The Weight of Memory
- Photographs
- Was It You?
- A Wedding and a Ring
- Dreams and Open Windows
- New Developments
- The Door
- Going Under
- The Loss of You
- The Glassy Sea
- Following Her Down
- Something Beyond Us
- Let’s Not Leave Her Alone Anymore
- Too Many Secrets
- Heavy Things
- She’s Gone
- Our Future Spelled Out
- Screams at the Cabin
- So Close
- When You Arrive at the End, Keep Going
- It’s True
- The Other Side
- Reality
- Swimming Underwater
- Only the Deepest Pools Remain
- The Open Window
- When I Knew
- The Clouds Bear Down
- The Far Green Country
- Gone
- The Fly
- The Nesting Doll
- Two Months Later
- Floating Away
- Another mesmerizing story from Shawn Smucker
- Prologue
- Acknowledgments
- About the Author
- Back Ads
- Back Cover
Dedication
To Maile
Epigraphs
Is there a single person on whom I can press belief? No sir.
All I can do is say, Here’s how it went. Here’s what I saw.
I’ve been there and am going back.
Make of it what you will.
LEIF ENGER, Peace Like a River
Death alone from death can save.
Love is death, and so is brave.
Love can fill the deepest grave.
Love loves on beneath the wave.
GEORGE MACDONALD,
The Light Princess
And, so, there is
the weight of memory
LI-YOUNG LEE,
“The Weight of Sweetness”
Contents
Cover
Praise for These Nameless Things
Books by Shawn Smucker
Title Page
Copyright Page
Dedication
Epigraphs
Anytime to Three Months
I’m Afraid Not
The White-Haired Woman
The Emptiness
Looking for You
Closer Than They Might Appear
The First Drowning
The Tea Party
The Field
My Own Flesh and Blood
Crossing Over
A Place in This World
Leaving
The Man in the Hotel
Driving Away
Gone Again
No Trespassing
Into Nysa
No Cares in the World
You Should Turn Around
When Everything Started Happening
An Unexpected Encounter
Night Swimming
Shirley
The Woman at the Window
What’s Real?
The Question
The End of Me
She Went Under
Desecrated
The Carpet
The Boat
Sinking
The Weight of Memory
Photographs
Was It You?
A Wedding and a Ring
Dreams and Open Windows
New Developments
The Door
Going Under
The Loss of You
The Glassy Sea
Following Her Down
Something Beyond Us
Let’s Not Leave Her Alone Anymore
Too Many Secrets
Heavy Things
She’s Gone
Our Future Spelled Out
Screams at the Cabin
So Close
When You Arrive at the End, Keep Going
It’s True
The Other Side
Reality
Swimming Underwater
Only the Deepest Pools Remain
The Open Window
When I Knew
The Clouds Bear Down
The Far Green Country
Gone
The Fly
The Nesting Doll
Two Months Later
Floating Away
Another mesmerizing story from Shawn Smucker
Prologue
Acknowledgments
About the Author
Back Ads
Back Cover
Anytime to Three Months
Her words hover in the air, hummingbirds, and I hold my breath, glance up at the clock above the door, and watch the red second hand twitch its way through a minute. I pinch my bottom lip in between my teeth. There is a small piece of paper under her chair, the tiniest corner torn off, left from the previous examination. What news did that patient receive? What diagnosis?
What will I leave behind?
“I’m sorry, Dr. Cortez,” I say. “Can you repeat that?” Each of my blinks is like the shutter on an old camera, holding for an extra moment so that I see the negative of her on the inside of my eyelids. I reach up and rub my eyes. Why do I not feel a deep sadness?
I think it would be appropriate for me to feel a deep sadness.
“Mr. Elias,” she begins again, and her words have a lullaby quality to them, as if she’s explaining a monster to a child, the darkness sleeping under the bed, the movement subtly shifting in the corner of the room after the light turns off.