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Contents ( 81)
  1. Cover
  2. Praise for These Nameless Things
  3. Books by Shawn Smucker
  4. Title Page
  5. Copyright Page
  6. Dedication
  7. Epigraphs
  8. Contents
  9. Anytime to Three Months
  10. I’m Afraid Not
  11. The White-Haired Woman
  12. The Emptiness
  13. Looking for You
  14. Closer Than They Might Appear
  15. The First Drowning
  16. The Tea Party
  17. The Field
  18. My Own Flesh and Blood
  19. Crossing Over
  20. A Place in This World
  21. Leaving
  22. The Man in the Hotel
  23. Driving Away
  24. Gone Again
  25. No Trespassing
  26. Into Nysa
  27. No Cares in the World
  28. You Should Turn Around
  29. When Everything Started Happening
  30. An Unexpected Encounter
  31. Night Swimming
  32. Shirley
  33. The Woman at the Window
  34. What’s Real?
  35. The Question
  36. The End of Me
  37. She Went Under
  38. Desecrated
  39. The Carpet
  40. The Boat
  41. Sinking
  42. The Weight of Memory
  43. Photographs
  44. Was It You?
  45. A Wedding and a Ring
  46. Dreams and Open Windows
  47. New Developments
  48. The Door
  49. Going Under
  50. The Loss of You
  51. The Glassy Sea
  52. Following Her Down
  53. Something Beyond Us
  54. Let’s Not Leave Her Alone Anymore
  55. Too Many Secrets
  56. Heavy Things
  57. She’s Gone
  58. Our Future Spelled Out
  59. Screams at the Cabin
  60. So Close
  61. When You Arrive at the End, Keep Going
  62. It’s True
  63. The Other Side
  64. Reality
  65. Swimming Underwater
  66. Only the Deepest Pools Remain
  67. The Open Window
  68. When I Knew
  69. The Clouds Bear Down
  70. The Far Green Country
  71. Gone
  72. The Fly
  73. The Nesting Doll
  74. Two Months Later
  75. Floating Away
  76. Another mesmerizing story from Shawn Smucker
  77. Prologue
  78. Acknowledgments
  79. About the Author
  80. Back Ads
  81. Back Cover

When you used to run away, I want to interrupt, but I have a feeling Tom wouldn’t be happy with me if I did. Probably something about invading the process or some such nonsense.

“In art class?”

“She helped me draw my map.”

“It’s a fascinating map.”

“Thank you.” Your face brightens at the compliment.

“For example, how did you know so much about this area without ever having been here?”

“She told me about it.”

“Your Grampy?”

“No, the woman.”

“Perhaps you overheard your Grampy talking about Nysa with someone else. That’s possible, isn’t it?”

When I speak up, I immediately feel like it’s a mistake. “I’ve never talked about Nysa since I left. Not once. Not with anyone.”

When Tom looks over the couch and finds my gaze in the corner, there’s a flash of annoyance in his eyes. But he defuses it well.

“Were you afraid of her when you first met?” he asks you.

“You mean in the art room?”

Tom nods.

“No,” you say thoughtfully. “There were lots of people around.”

“Did anyone else see her?”

You shrug. “I don’t know.”

Tom pauses, his head cocking to one side. “So if you weren’t afraid of her in the art room, are there ever times when you are afraid of her?”

You take a deep breath, and it comes out in a sigh. “Sometimes.”

“What’s one time you felt afraid?”

“I was afraid today, when I saw her under the water and she told me to follow her.”

“She told you to follow her under the water?”

You nod.

“I can understand why that would be scary,” Tom says, and the conversation dies.

I feel a wave of nausea coming, but I don’t want to miss anything, so I sit there and fight it down. When it passes, I feel exhausted, and the knot is throbbing. The ache streaks down my neck, down my back, all the way to my knees, and I can’t tell which direction the pain is going—up or down.

The pain is me, I think.

“Does this person remind you of anyone you know?” Tom asks.

I can tell by the setting of your shoulders that you don’t want to answer.

“Pearl?” Tom asks quietly.

You reply, but neither Tom nor I hear your answer.

“What was that?”

“You.” Your head ducks.

“Me?” Tom asks, jolted out of his counselor persona.

You nod.

“How does she remind you of me?”

“You’re both good at keeping secrets.”

Tom’s face goes blank, white. The air in the room feels charged, and I grip the armrests of my chair. Darkness leaks in as the sun drops, and now the only light in the house is the lamp beside me. I watch you and Tom in the shadows.

Tom seems to be drifting away, losing himself. You, on the other hand, seem to be finding yourself. When you speak, your voice sounds clear, as though you and Tom have switched roles.

“Shirley saw the same woman,” you say.