Back The Last Days of John Lennon
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

John finds himself locked in the biggest scandal since his comments about Jesus two years before. John takes Yoko to visit Mimi in Poole, England, where he had bought his aunt a waterfront bungalow for £25,000 in 1965 (in 2018, the property was listed for just under $9.5 million).

“Who’s the poisoned dwarf, John?” Mimi asks.

“It’s Yoko,” John answers.

“I’m an artist,” Yoko says.

“That’s very funny,” Mimi replies. “I’ve never heard of you.”

Cynthia certainly has. When she returns from Italy, she takes to calling the Beatles’ office and leaving messages. John doesn’t return her calls. If she wants to hear her husband’s voice, she’ll have to buy his new record.

The A side is “Hey Jude.” “[Paul] said it was written about Julian, my child. He knew I was splitting with Cyn and leaving Julian,” John later remembers.

“But I always heard it as a song to me,” he continues. “Yoko’s just come into the picture…The words ‘go out and get her’—subconsciously he was saying, Go ahead, leave me”—and their Beatles partnership.

Mick Jagger and a few lucky bystanders listen in when Paul spins an advance copy at the hashish-filled Club Vesuvio, in a London basement. “That’s something else, innit?” Jagger says to Paul. “It’s like two songs.”

The seven-inch single pushes the boundaries of recording technology to contain the song’s seven-minutes-plus running time. “It wasn’t intended to go on that long at the end,” Paul explains to the Rolling Stones frontman. “So then we built it with the orchestra but it was mainly because I just wouldn’t stop doing all that ‘Judy judy judy—wooow!’ Cary Grant on heat!”

The summer of 1968 is burning with social unrest.

Two days after the August 26 US release (August 30 in the UK) of Paul’s “Hey Jude” with John’s “Revolution” on the flip side, violence erupts in Chicago when antiwar protesters clash with National Guard troops outside the Conrad Hilton hotel, site of the Democratic National Convention, where Hubert Humphrey wins the presidential nomination over Eugene McCarthy while continuing to support President Johnson’s war efforts in Vietnam.

The demonstrators shout, “The whole world is watching. The whole world is watching.”

They are listening, too. “Hey Jude,” Apple Records’ first release, is also the Beatles’ most successful single, selling more than five million copies worldwide by the end of 1968.

*  *  *

As the recording of the White Album continues, John and Yoko need a place to stay. Ringo is able to provide them with one.