Back The Last Days of John Lennon Save as PDF
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

As Ed Sullivan predicted, the Beatles bring out the fans. More than four thousand of them are crowded into the arrivals terminal at the newly renamed John F. Kennedy International Airport, craning their necks to catch a glimpse of their idols.

CBS musical director Ray Bloch believes he’s discovered the reason for the crush, and he’s unimpressed. “The only thing that’s different is the hair as far as I can see,” he says. “I give them a year.”

But the hair is important. “Won’t be long before every group with long hair will be sought by American companies,” Cashbox music magazine predicts.

As Dr. Joyce Brothers, writing on the front page of the New York Journal-American about “Why They Go Wild Over the Beatles,” explains: “The Beatles display a few mannerisms which almost seem a shade on the feminine side, such as the tossing of their long manes of hair.…These are exactly the mannerisms which very young female fans (in the 10-to-14 age group) appear to go wildest over.”

“They’re so cute,” June Clayton of Brooklyn tells the New York Daily News. “And Ringo’s the cutest. Look at them comb their hair!”

But before they can take the stage at Broadway’s Hammerstein Theater, the Beatles have to contend with the New York press corps.

“Do you wear wigs?” one of them asks.

John shuts down the attack on their signature look. “If we do they must be the only ones with real dandruff.”

Although the boys from Liverpool don’t wear wigs, everyone else seems to—not only does Ed Sullivan don a mop-top wig to introduce them on his show, but their airplane pilot also puts on a Beatles wig when they fly to Miami. Official promotional “Beatle Kits” (comprising an autographed photo, an I LIKE THE BEATLES button, and a wig) are even getting handed out.

Opinion makers seek to quantify what makes fans love the Beatles. Though it’s no big mystery—England’s Daily Mirror has already proclaimed, “You have to be a real sour square not to love the nutty, noisy, happy, handsome Beatles.” Documentarians Albert and David Maysles capture every moment—from the Beatles’ dazed emergence to screaming crowds waiting on the tarmac at JFK Airport to four limos carrying each individual band member to the Plaza Hotel, on Fifth Avenue, where they have rooms on the twelfth floor. The February 1964 footage for Granada TV is eventually released as the film What’s Happening! The Beatles in the USA.

“The Americans will never understand it,” Ringo later explains. “Now kids come to Liverpool and say, ‘Oh, this is where they came from.’ But for us, it was ‘We’re in America—where the music came from!’ It was always about the music.”