Back The Last Days of John Lennon Save as PDF
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

The revelation that John’s a husband and father just as the band is peaking in popularity prompted some damage control. In a prepared response published by Mirabelle magazine in October, John spoke of his present life on the road with the band and his past experiences, including being raised by Mimi and the devastating loss of his mother. The story ended with a confession about his new wife: “I’d like to tell you more about her but I’ve this old-fashioned idea that marriage is a private thing, too precious to be discussed publicly. So forgive me and understand.”

On board Pan Am flight 101, baby Julian is sleeping against his mother. Attuned to John’s many moods (if not always the rationales behind them), Cyn puts her hand on his and asks, “What’s on your mind?”

John flashes on a conversation he’d had with Sonny Freeman, the model wife of photographer Bob Freeman. Bob took the photo of the Beatles with their half-shaded faces for the cover of With the Beatles and its US counterpart, Meet the Beatles, released just two weeks earlier.

John has spent many late nights in the Freemans’ wood-paneled apartment, “talking about things like life and death, the way you always do when you’re young.” He’s also shared his premonition that he’d lead a life cut short by a gunshot.

“A bit nervous, is all,” John says.

Though Beatlemania is in full swing back home, Capitol Records—EMI’s US counterpart—had only begrudgingly taken the Beatles on, with the proviso that the label be the one to choose the songs for American albums. While it still stings that Capitol turned them down—repeatedly—there are signs that the label is taking the Beatles seriously by mounting a national promotional campaign. They print and distribute five million stickers announcing THE BEATLES ARE COMING and give every single disc jockey in the United States a stack of Beatles records to play.

Ahead of the American appearances, Capitol Records’ press release had announced Lennon as a “determined twenty-three-year-old whose somewhat stern face gives the impression of an angry young man.”

And now that face is staring back at his wife.

Cyn has brought along a stack of fan mail and reads aloud from the letter Sharon Flood of New York has written. “Perhaps you are not aware of this fact, but you are the first happy thing that has happened to us since the tragedy on November 22. You are the first spot of joy to come to a nation that is still very much in mourning, although the grief is personal and unpublicized.”