Chapters (91)
- Cover
- Title Page
- Dedication
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- —
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- —
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- —
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- —
- Chapter 33
- Chapter 34
- Chapter 35
- —
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- —
- Chapter 44
- —
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- —
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- —
- Chapter 60
- —
- Chapter 61
- —
- Chapter 62
- —
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- —
- Chapter 68
- —
- Notes
- —
- ABOUT THE AUTHORS
- Photos
- Coming Soon
13 “I’d either sit down with a guitar or at the piano”: Robin Hilton and Bob Boilen, “All Songs +1: A Conversation with Paul McCartney,” All Songs Considered, NPR.org, June 10, 2016.
14 “I’ve got a mate who can play ‘Raunchy’”: Lewisohn, Tune In, 150.
14 Little George is cool: Lewisohn, Tune In, 158.
14 “Cocky”: Lewisohn, Tune In, 158.
14 “George was just too young”: The Beatles, The Beatles Anthology (San Francisco: Chronicle Books, 2000), 13.
14 “I didn’t dig him on first sight”: Hunter Davies, The Beatles: The Authorized Biography (New York: McGraw-Hill, 1968), 158.
14 “George looked even younger than Paul”: Ray Connolly, Being John Lennon: A Restless Life (New York: Pegasus Books, 2018), 52.
14 the Eddie Clayton Skiffle Group: Lewisohn, Tune In, 157.
14 “John said if I could play like that, I could join them”: Davies, The Beatles, 44.
15 “Go on, George, show him!”: Lewisohn, Tune In, 158.
15 “I played ‘Ranchee’ [sic] for them”: Davies, The Beatles, 44.
15 “knew more chords, a lot more”: Connolly, Being John Lennon, 52.
15 “Now there were three of us”: Davies, The Beatles, 45.
Chapter 5
16 “Are you Julia Dykins’s son?”: Mark Lewisohn, Tune In, vol. 1, The Beatles: All These Years (New York: Crown Archetype, 2013), 182.
17 We’d caught up so much, me and Julia: Hunter Davies, The Beatles: The Authorized Biography (New York: McGraw-Hill, 1968), 52.
17 Mimi looks at Clague and shouts, “Killer!”: Ray Connolly, Being John Lennon: A Restless Life (New York: Pegasus Books, 2018), 61.
—
18 only $16.50 a night: Pete Hamill, “The Death and Life of John Lennon,” New York, March 18, 2008.
18 Mr. Lennon was “out of town”: Keith Badman, The Beatles Diary Volume 2: After the Break-Up, 1970–2001 (London: Omnibus Press, 2001), 267.
19 I’m coming home: CNN Special Report: Killing John Lennon, CNN.com, December 8, 2015.
19 Come home: James McMahon, “The Shooting of John Lennon: Will Mark David Chapman Ever Be Released?” The Independent, March 2, 2020.
19 a .38-caliber Charter Arms: Bill Prochnau, “A Strange Young Man Who Stopped the Music,” Washington Post, December 10, 1980.
20 He told us to imagine no possessions: McMahon, “The Shooting of John Lennon.”
20 Lennon admitted as much: Olivia B. Waxman, “Behind the Photo: How John Lennon and Yoko Ono Came Up with the Idea of Their Bed-In for Peace,” Time, March 25, 2019.
21 signed out as “John Lennon”: McMahon, “The Shooting of John Lennon.”
21 Practices withdrawing the weapon: McMahon, “The Shooting of John Lennon.”
21 “Mr. Lennon?”: Badman, The Beatles Diary, 272.
22 his cop friend, Dana: Jack Jones, Let Me Take You Down: Inside the Mind of Mark David Chapman, the Man Who Killed John Lennon (New York: Villard Books, 1992), 197–98.
Chapter 6
23 Jacaranda Club: Mark Lewisohn, Tune In, vol. 1, The Beatles: All These Years (New York: Crown Archetype: 2013), 225–26.
23 “why don’t you do something for us?”: Lewisohn, Tune In, 299.
23 John’s inspiration comes from the Crickets, Buddy Holly’s band: Lewisohn, Tune In, 292.
24 “What’s your group’s lineup?”: Lewisohn, Tune In, 299.
24 painted the murals in the basement: Michael Braun, “Love Me Do!”: The Beatles’ Progress (Los Angeles and New York: Graymalkin Media, 2019), 71–72.
24 a Hofner 333 four-string bass: Lewisohn, Tune In, 276.