Back The Last Days of John Lennon
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

“He zapped in. I was amazed at his ability,” John recalls. “We had a great time.”

Elton also adds piano and harmony to “Surprise, Surprise (Sweet Bird of Paradox),” John’s love note to May, but it’s “Whatever Gets You Thru the Night” that he thinks has real hit potential.

“That’ll be your Number One,” Elton predicts.

John scoffs, but Elton is serious. He’s so sure of it, in fact, that the two friends make a steep wager as to just how high it will chart.

If the single hits number 1, John has to perform live onstage at one of Elton’s upcoming tour dates.

“He sang harmony on it and he really did a damn good job,” John explains. “So, I sort of halfheartedly promised that if ‘Whatever Gets You Thru the Night’ became No. 1, which I had no reason to expect, I’d do Madison Square Garden with him.”

When Apple releases the album, on September 26 (October 4 in the UK), critics marvel at the pairing. “Elton John—Elton John????—on keyboards and back-up vocals,” New Musical Express announces, picking up on “a real, desperate rocking edge to” the song, which Rolling Stone calls “the ice cream that follows a tonsillectomy.”

On October 9, 1974, John celebrates his thirty-fourth birthday. A series of music milestones follows in fast succession: Walls and Bridges is certified gold on October 22, and then on November 16, “Whatever Gets You Thru the Night” tops the Billboard charts at number 1, just as Elton predicted.

Elton calls John up. “Remember when you promised…”

To make good on his bet, John will be working on Thanksgiving. At Madison Square Garden.

Before the Elton John show on November 28, John’s stage fright comes roaring back, and he’s gripped with nausea. Elton gives John an onyx medallion inscribed with the name Dr. Winston O’Boogie, an alias John sometimes used, and Yoko sends both musicians gardenias, her favorite flower. When John makes his unannounced appearance, he’s wearing the medallion and has Yoko’s gardenia affixed to his lapel.

The crowd cheers, stunned at the sight of the superstar, who’s about to amaze them one more time.

“I just went up and did a few numbers”—the first being “Whatever Gets You Thru the Night”—“but the emotional thing was me and Elton together,” John says.

The two then sang “Lucy in the Sky with Diamonds,” a Lennon song from Sgt. Pepper that Elton had just covered (with Dr. Winston O’Boogie on guitar and backing vocals) and released as a single. For the concert finale, “we thought we’d do a number of an old estranged fiancé of mine called Paul,” John Lennon tells the crowd. “This one I never sang, it’s an old Beatle number, and we just about know it.”

Elton’s band launches into “I Saw Her Standing There.”