Back The Last Days of John Lennon
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

President Richard Nixon worries about just such a plan. Nixon, who is universally reviled by the Yippies, is up for reelection in 1972 and fears that John Lennon (whom he opened an FBI inquiry on back in 1969) and his friends will wield their considerable influence with the youth culture against him. The president feels especially vulnerable on that front, since he’s recently signed into law the Twenty-Sixth Amendment, which lowered the voting age from twenty-one to eighteen, granting teenagers the right to vote for the first time.

*  *  *

On John’s thirty-first birthday, October 9, 1971, Yoko achieves a personal victory—the art show that Allen Klein had promised. Her first major exhibit, This Is Not Here, is mounted at Syracuse’s Everson Museum of Art.

Ostensibly it’s a solo show, though the catalog features numerous collaborative pieces, including Baby Grand Guitar—an oversize instrument of her own creation plus the neck of a second guitar displayed with Yoko’s invitation to “imagine the body.”

“She thinks up beautiful pure concept things, and I come up with a gimmicky reaction,” John tells the New York Times in answer to the interviewer’s question “Is Syracuse ready for Yoko Ono and John Lennon?”

Not entirely. “There was going to be a secret Beatles reunion concert, with everyone except Paul in the theater at the Everson,” David Ross, then assistant to the museum’s director, remembers. “One of my jobs was to get equipment ready, and have it ready, secretly.”

On opening day, six thousand guests tour the exhibit, spreading rumors of the chance to see all four Beatles together again (and Yoko in “a black velvet hotpants suit”).

The only other Beatle to attend, however—as was often the case—is Ringo.

He’s not the only celebrity friend, though: in addition to Ringo and his wife, Maureen, there’s Phil Spector, Klaus Voormann, Eric Clapton, and poet Allen Ginsberg on hand.

When the increasing size and frenzy of the crowd makes officials in the upstate city of 197,000 begin to fear a riot, John and Yoko move his birthday party over to the Hotel Syracuse, where the famous friends give a raucous semiprivate performance of more than twenty songs—including “Give Peace a Chance” and for George, in absentia, his “My Sweet Lord”—“commonly recognized,” according to The Guardian, as “the single of the year.”

*  *  *

John and Yoko have already been in New York for a few weeks when John’s second solo album, Imagine, goes on sale in the United States, on September 9 (October 8 in the UK). It’s both a critical and commercial success, and it becomes the most celebrated album and single of John’s solo career, reaching number 1 on the UK album charts and number 3 as a US single.