Back The Last Days of John Lennon Save as PDF
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

The doorman at the apartment building didn’t give his name, but Mark heard someone call him Jay. Jay is a Beatles fan, too. The man is also a liar. Last month, Jay told Mark that Mr. Lennon was “out of town.” Then Mark saw Lennon and Yoko’s picture on the front page of the New York Times.

That’s when he went out to the movies and saw that stupid film, Ordinary People. Mark likes to think of himself as anything but ordinary, but then he had so closely identified with Timothy Hutton’s character that he felt like making a confession, the way Hutton did to his psychiatrist.

Mark doesn’t have a shrink, doesn’t need one, so he did the next best thing: he went to a pay phone and called his wife. She’s Japanese, like Yoko.

I’m coming home, he whispered. Then he looked around, making sure no one could overhear, and said the words out loud for the first time. I came to New York to kill John Lennon.

Come home, Gloria told him. Come home.

I’m coming home. Your love has saved me. I’m not going to do this.

Now Mark has no intention of returning home. This time he’s committed to his goal. Lennon’s death will prove to the world, once and for all, that the man is a phony. A liar and a sinner.

Gloria believes he has returned to New York to find himself, that he wants to write a children’s book. She believes him—obeys him, grants his every desire. Gloria believes everything he tells her because she is a good Christian woman and does what she’s told.

*  *  *

Safely tucked inside his YMCA room, with its single bed and black-and-white TV, Mark double-checks the lock on the door. Then he turns to his suitcase and removes the gun—a .38 caliber Charter Arms. It’s very similar to the snub-nosed Smith & Wesson handguns used by undercover police. The perfect weapon to use for assassination.

He knows how to handle a weapon. He put in plenty of hours on the range to get certified so that he could carry a .22 when he worked security. He knows how to get in a combat stance and how to sight a target.

Soon the world will know they’re dealing with an expert killer.

There was a time when he preached against guns and violence. Lennon, ironically, was the inspiration for his awakening.

The Beatles are bigger than Jesus, Lennon boasted.

He took Jesus’s side. Took shelter, too, in the spiritual laws of the Christian faith. Took up a life of purpose, starting at the Chapel Woods Presbyterian Church in Snellville, Georgia.

Guns, he told people, were evil. But he soon realized the error of his ways. Speaking is only a weak form of doing.