Back The Last Days of John Lennon
Chapters (91)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. —
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. —
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. —
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. —
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. —
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. —
  54. Chapter 44
  55. —
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. —
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. —
  73. Chapter 60
  74. —
  75. Chapter 61
  76. —
  77. Chapter 62
  78. —
  79. Chapter 63
  80. Chapter 64
  81. Chapter 65
  82. Chapter 66
  83. Chapter 67
  84. —
  85. Chapter 68
  86. —
  87. Notes
  88. —
  89. ABOUT THE AUTHORS
  90. Photos
  91. Coming Soon

He and Yoko have been living in New York since August 13, 1971, a few weeks after George’s Madison Square Garden event, on six-month B-2 tourist visas issued by the US Immigration and Naturalization Service to “Mr. and Mrs. John W. Lennon,” who are classified as “visitors for pleasure.”

Despite the short-term visas, their intent has always been to stay.

“Yoko and I were forever coming and going to New York, so finally we decided it would be cheaper and more functional to actually live here…so that’s what we did!” John tells reporters.

Yet there’s also a more painful, personal reason. Although Yoko has been given custody of her daughter, Kyoko, after a series of legal battles, her ex-husband Tony Cox has repeatedly absconded with the eight-year-old girl.

As best as John can determine, “Tony’s attitude was, ‘You can have my wife, but you can’t have my child.’”

And now Yoko and John cannot find Kyoko or Tony anywhere.

The most reliable information they have is that Cox may have taken Kyoko to America, and therefore it makes sense for Yoko and John to base themselves somewhere in the United States.

Besides, John has been wanting to move to New York anyway. After all, “We love it, and it’s the center of our world,” John says of the city. “America is the Roman Empire and New York is Rome itself. New York is at my speed.” He also feels a kinship to New Yorkers’ brusqueness. “They’re like me…they don’t believe in wasting time.”

Yoko agrees. “John has a New York temperament in his work. Liverpool is very much like New York, for an English city.”

John credits Yoko, who lived in New York during her teens and twenties, with selling him on it. “She made me walk around the streets and parks and squares and examine every nook and cranny.”

They both appreciate the “unbelievably creative atmosphere” and diversity of the city, where their interracial marriage doesn’t stand out as much as it does in England.

“Everywhere’s somewhere, and everywhere’s the same, really, and wherever you are is where it’s at,” John muses. “But it’s more so in New York. It does have sugar on it, and I’ve got a sweet tooth.”

*  *  *

John and Yoko encounter the kind of creativity they particularly enjoy while taking a Sunday walk in Washington Square Park.

“I’m proud to be a New York hippie!” they hear a raspy-voiced street singer declare. It’s artist and activist David Peel, staging his weekly “happening.”

Immediately charmed, John says, “We started singing with him in the street. And we got moved on by the police, and it was all very wonderful. He was such a great guy, you know.”

Although Peel “can’t sing, or he can’t really play,” John admits, it doesn’t dampen the former Beatle’s enthusiasm. “Picasso spent 40 years trying to get as simple as that.”