Back That Night Save as PDF
Contents ( 166)
  1. Gillian McAllister
  2. Contents
  3. About the Author
  4. Prologue
  5. 1.
  6. Cathy
  7. 2.
  8. Joe
  9. 3.
  10. Cathy
  11. 4.
  12. Now
  13. 5.
  14. Then
  15. 6.
  16. Joe
  17. Part I
  18. 7.
  19. Joe
  20. 8.
  21. Now
  22. 9.
  23. Then
  24. 10.
  25. Lydia
  26. 11.
  27. Joe
  28. 12.
  29. Cathy
  30. 13.
  31. Now
  32. 14.
  33. Then
  34. 15.
  35. Cathy
  36. Part II
  37. 16.
  38. Joe
  39. 17.
  40. Now
  41. 18.
  42. Then
  43. 19.
  44. Joe
  45. 20.
  46. Joe
  47. 21.
  48. Now
  49. Part III
  50. 22.
  51. Then
  52. 23.
  53. Cathy
  54. 24.
  55. Joe
  56. 25.
  57. Joe
  58. 26.
  59. Now
  60. 27.
  61. Then
  62. 28.
  63. Lydia
  64. 29.
  65. Joe
  66. 30.
  67. Cathy
  68. 31.
  69. Lydia
  70. 32.
  71. Cathy
  72. 33.
  73. Joe
  74. 34.
  75. Cathy
  76. 35.
  77. Now
  78. 36.
  79. Then
  80. 37.
  81. Joe
  82. 38.
  83. Now
  84. 39.
  85. Then
  86. 40.
  87. Joe
  88. 41.
  89. Now
  90. 42.
  91. Then
  92. 43.
  93. Joe
  94. 44.
  95. Cathy
  96. 45.
  97. Lydia
  98. 46.
  99. Joe
  100. 47.
  101. Cathy
  102. 48.
  103. Now
  104. 49.
  105. Then
  106. Part IV
  107. 50.
  108. Joe
  109. 51.
  110. Cathy
  111. 52.
  112. Now
  113. 53.
  114. Then
  115. Part V
  116. 54.
  117. Joe
  118. 55.
  119. Cathy
  120. Part VI
  121. 56.
  122. Joe
  123. 57.
  124. Cathy
  125. 58.
  126. Now
  127. 59.
  128. Then
  129. 60.
  130. Joe
  131. 61.
  132. Cathy
  133. 62.
  134. Cathy
  135. 63.
  136. Joe
  137. 64.
  138. Cathy
  139. 65.
  140. Joe
  141. 66.
  142. Lydia
  143. 67.
  144. Joe
  145. Part VII
  146. 68.
  147. Joe
  148. 69.
  149. Now
  150. 70.
  151. Then
  152. 71.
  153. Cathy
  154. 72.
  155. Now
  156. 73.
  157. Then
  158. 74.
  159. Now
  160. Epilogue
  161. Acknowledgements
  162. Read more
  163. Read more
  164. Prologue
  165. THIS IS JUST THE BEGINNING
  166. Table of Contents

‘Let’s just turn this off,’ Cathy says. ‘We’ll only see something about him again.’ Already, the footage of the sniffer dogs has cycled around twice, a sea of black and tan on the horizon, a forensics team accompanying them, eerie, tall, white figures among the dogs.

Frannie mutes it but doesn’t turn off the picture. She finishes her coffee and puts the mug in between her shins on the bed. Her phone is charging on the windowsill, and Cathy can see it lighting up, even at this hour. Why are all her friends awake?

‘Why do you think he had that piece of paper?’ Cathy asks her, rather than asking her about her friends – and how she came to make so many of them, so easily.

‘I mean,’ Frannie says, reaching for the mug again and tossing it from one hand to the other as she thinks, ‘he was a police officer.’

‘Yes, exactly.’

‘It could have been anything, couldn’t it? A safety inspection of our villa? A hire-car thing? We have no idea.’

Cathy shifts her position on the bed, crossing her legs underneath her. Frannie unconsciously rests an elbow on Cathy’s knee. Despite the sombre situation, Cathy still manages to locate her old anxieties and their counterpoints. That Frannie is closer to Joe than to her. That she finds Cathy incomprehensible, boring, weird. That elbow says differently, and Cathy pats it.

‘What if he was investigating someone?’ Frannie says.

‘Who?’

‘Well, not you or me.’

‘Right?’

‘Joe? Or Lydia? What if Joe went after Will and – you know how he can be –’

‘I know,’ Cathy says. ‘Maybe Joe got in more trouble the other night with Lydia and that man than he said.’

‘Yeah. Maybe we could ask him. Where is the document?’ Frannie says, extending a hand to Cathy.

‘In my room.’

‘Let’s look at it again. Tomorrow. With him, when we’ve all slept. See what he does.’

She stares straight ahead, at the television, but her features look troubled. Cathy can tell she is going over whether Joe is involved in some way more than he says. She looks gaunt tonight. The sockets of her eyes are clearly defined, incongruous against the holiday tan, the highlights and shadows exaggerated by the monochrome glow of the TV.

Joe’s in the shower down the hall. He can’t sleep either. They can hear the water hitting his body, collecting and running off in thick ropes of water.

‘Look,’ Frannie says suddenly, staring at the television. Cathy turns her attention away from Frannie’s cheekbones and to the screen.

Omicidio. Cathy’s body reacts to the word before her mind can translate it. She sits forward, looking at the English subtitles. They scroll past, painfully slowly, like the football news on Ceefax they would sometimes watch after school together.

Police open homicide investigation due to forged cashpoint transaction.

Cathy feels the veins in her skull pound. She puts her head in her hands as the room dips and spins around her. ‘What?’ she whispers.