Back That Night Save as PDF
Contents ( 166)
  1. Gillian McAllister
  2. Contents
  3. About the Author
  4. Prologue
  5. 1.
  6. Cathy
  7. 2.
  8. Joe
  9. 3.
  10. Cathy
  11. 4.
  12. Now
  13. 5.
  14. Then
  15. 6.
  16. Joe
  17. Part I
  18. 7.
  19. Joe
  20. 8.
  21. Now
  22. 9.
  23. Then
  24. 10.
  25. Lydia
  26. 11.
  27. Joe
  28. 12.
  29. Cathy
  30. 13.
  31. Now
  32. 14.
  33. Then
  34. 15.
  35. Cathy
  36. Part II
  37. 16.
  38. Joe
  39. 17.
  40. Now
  41. 18.
  42. Then
  43. 19.
  44. Joe
  45. 20.
  46. Joe
  47. 21.
  48. Now
  49. Part III
  50. 22.
  51. Then
  52. 23.
  53. Cathy
  54. 24.
  55. Joe
  56. 25.
  57. Joe
  58. 26.
  59. Now
  60. 27.
  61. Then
  62. 28.
  63. Lydia
  64. 29.
  65. Joe
  66. 30.
  67. Cathy
  68. 31.
  69. Lydia
  70. 32.
  71. Cathy
  72. 33.
  73. Joe
  74. 34.
  75. Cathy
  76. 35.
  77. Now
  78. 36.
  79. Then
  80. 37.
  81. Joe
  82. 38.
  83. Now
  84. 39.
  85. Then
  86. 40.
  87. Joe
  88. 41.
  89. Now
  90. 42.
  91. Then
  92. 43.
  93. Joe
  94. 44.
  95. Cathy
  96. 45.
  97. Lydia
  98. 46.
  99. Joe
  100. 47.
  101. Cathy
  102. 48.
  103. Now
  104. 49.
  105. Then
  106. Part IV
  107. 50.
  108. Joe
  109. 51.
  110. Cathy
  111. 52.
  112. Now
  113. 53.
  114. Then
  115. Part V
  116. 54.
  117. Joe
  118. 55.
  119. Cathy
  120. Part VI
  121. 56.
  122. Joe
  123. 57.
  124. Cathy
  125. 58.
  126. Now
  127. 59.
  128. Then
  129. 60.
  130. Joe
  131. 61.
  132. Cathy
  133. 62.
  134. Cathy
  135. 63.
  136. Joe
  137. 64.
  138. Cathy
  139. 65.
  140. Joe
  141. 66.
  142. Lydia
  143. 67.
  144. Joe
  145. Part VII
  146. 68.
  147. Joe
  148. 69.
  149. Now
  150. 70.
  151. Then
  152. 71.
  153. Cathy
  154. 72.
  155. Now
  156. 73.
  157. Then
  158. 74.
  159. Now
  160. Epilogue
  161. Acknowledgements
  162. Read more
  163. Read more
  164. Prologue
  165. THIS IS JUST THE BEGINNING
  166. Table of Contents

8305.

A PIN.

Joe’s shoulders sag in relief. He has a PIN. He’ll go to a cashpoint, one without CCTV, and use it. Withdraw a hundred euros, to make it look like William was headed somewhere. Less risky. Less chance of a person asking him what he’s doing. Less chance of getting caught out.

It has taken Joe half an hour, so far, to find a cashpoint without CCTV. He has bought an ice-cream and taken many crap photos, trying to look like a wandering tourist. He would never be this person in normal circumstances, has no interest in weird fucking nude monuments and ruins, not now that they have owned the villa for several years. He’s done the touristy stuff.

He stands, now, scanning the bottom of the buildings. No cashpoints. A Jack Russell being pulled along too quickly by a dickhead owner catches his attention. He stares at it. It has a very obvious – to Joe – luxating patella. A tell-tale hind-limb skip, which makes it trot like it is a rabbit, not a dog. It probably needs an operation on its knee. Joe watches it for a few seconds more, thinking of saying something, but stops himself when he sees a cashpoint in the distance without any CCTV around it and BANCOMAT written in blue above. It’s time to focus, not to draw attention to himself.

He hurries over and inserts William’s card into the machine with a satisfying plastic zip. The machine prompts in Italian for the PIN. 8305, he types dutifully, then waits.

PIN ERRATO, the machine says, with three horrifying beeps. Joe’s shoulders are up by his ears immediately. His head drops. ‘Fuck. Fuck, fuck, fuck, fuck, piss, fuck.’

The machine says something in Italian. He sees BANCO. Communicate, is that? Communicate with your bank?

Joe feels like his body is swarming with bees. His knees are buzzing. He can barely stand up straight. He staggers away from the cashpoint, past the luxating dog, and back to the bus stop, the wallet in his pocket feeling radioactive.

The PIN was probably for another card, or an old one. How could he be so stupid? Why did he assume it was for the debit card?

He’s fucked it, he thinks. He is fucked. They can’t afford to make mistakes, and yet he has. He flags down the bus, his arm feeling weak, and collapses into the air-conditioned seat, his head in his hands. After a few seconds, he stops himself. He’s got to look normal. He straightens up, looking around him, then sees the CCTV, an unblinking eye at the front of the bus, trained exactly on him. For a moment – just one – he is certain he will see this footage. Exhibited, somewhere, as evidence, at Frannie’s trial.

17.

Now

Jason’s Office, late February, 5.00 p.m.

Another Tuesday in endless February.

I am waiting to see Jason. Five o’clock in his anteroom. Both heaters are on, pumping stinging hot air on to my knees. I’m glad of it. Even out here, I can smell his room. Old books, coffee.