Back That Night Save as PDF
Contents ( 166)
  1. Gillian McAllister
  2. Contents
  3. About the Author
  4. Prologue
  5. 1.
  6. Cathy
  7. 2.
  8. Joe
  9. 3.
  10. Cathy
  11. 4.
  12. Now
  13. 5.
  14. Then
  15. 6.
  16. Joe
  17. Part I
  18. 7.
  19. Joe
  20. 8.
  21. Now
  22. 9.
  23. Then
  24. 10.
  25. Lydia
  26. 11.
  27. Joe
  28. 12.
  29. Cathy
  30. 13.
  31. Now
  32. 14.
  33. Then
  34. 15.
  35. Cathy
  36. Part II
  37. 16.
  38. Joe
  39. 17.
  40. Now
  41. 18.
  42. Then
  43. 19.
  44. Joe
  45. 20.
  46. Joe
  47. 21.
  48. Now
  49. Part III
  50. 22.
  51. Then
  52. 23.
  53. Cathy
  54. 24.
  55. Joe
  56. 25.
  57. Joe
  58. 26.
  59. Now
  60. 27.
  61. Then
  62. 28.
  63. Lydia
  64. 29.
  65. Joe
  66. 30.
  67. Cathy
  68. 31.
  69. Lydia
  70. 32.
  71. Cathy
  72. 33.
  73. Joe
  74. 34.
  75. Cathy
  76. 35.
  77. Now
  78. 36.
  79. Then
  80. 37.
  81. Joe
  82. 38.
  83. Now
  84. 39.
  85. Then
  86. 40.
  87. Joe
  88. 41.
  89. Now
  90. 42.
  91. Then
  92. 43.
  93. Joe
  94. 44.
  95. Cathy
  96. 45.
  97. Lydia
  98. 46.
  99. Joe
  100. 47.
  101. Cathy
  102. 48.
  103. Now
  104. 49.
  105. Then
  106. Part IV
  107. 50.
  108. Joe
  109. 51.
  110. Cathy
  111. 52.
  112. Now
  113. 53.
  114. Then
  115. Part V
  116. 54.
  117. Joe
  118. 55.
  119. Cathy
  120. Part VI
  121. 56.
  122. Joe
  123. 57.
  124. Cathy
  125. 58.
  126. Now
  127. 59.
  128. Then
  129. 60.
  130. Joe
  131. 61.
  132. Cathy
  133. 62.
  134. Cathy
  135. 63.
  136. Joe
  137. 64.
  138. Cathy
  139. 65.
  140. Joe
  141. 66.
  142. Lydia
  143. 67.
  144. Joe
  145. Part VII
  146. 68.
  147. Joe
  148. 69.
  149. Now
  150. 70.
  151. Then
  152. 71.
  153. Cathy
  154. 72.
  155. Now
  156. 73.
  157. Then
  158. 74.
  159. Now
  160. Epilogue
  161. Acknowledgements
  162. Read more
  163. Read more
  164. Prologue
  165. THIS IS JUST THE BEGINNING
  166. Table of Contents

What’s that? She shakes her head, confused. A feeling that there is more than one of her, of her having been here before, maybe. A gauzy curtain across her mind. Déjà vu. She hardly ever experiences it. She blinks, and the feeling is gone, as insubstantial as smoke from a distant fire on the breeze. What was it? Her hand on the brass knob? The lamp outside? No, she can’t recall. It’s gone now.

As she hurries out, the autumn cold chills her skin immediately. She hurries towards Todd and the man, hoping Kelly is still awake, that he’s heard her leave and is coming, too. The thoughts rush through her mind like the clicking of a camera, one after the other after the other. She doesn’t act on any of them, doesn’t go back for Kelly. All she does is keep moving forwards, out on to the drive, maternal instincts pulling her towards her son with a force that feels as strong as gravity.

By the time she reaches the end of their U-shaped driveway, the man – taller than Todd, and bulkier, too – is shouting Todd’s name, and suddenly Todd has the front of this stranger’s coat in his grasp, is squaring up to him, his shoulders thrust forwards, their bodies a Yin and Yang sign in the night.

‘What’re you doing?’ she shouts, and that’s when she sees the knife.

She rushes towards them. Adrenaline sharpens Jen’s vision as she sees it happen. A quick, clean stab. And then, afterwards, everything seems to move in slow motion: the arm pulling back, the clothing resisting then releasing the knife. Two white feathers emerge with the blade, drifting aimlessly in the frozen air.

She stares as black blood begins to spurt, huge amounts of it, way more than she would’ve thought possible. She must be kneeling down now, because she becomes aware of the little stones of the path cutting round divots into her knees. She cradling him, parting his jacket, feeling the heat of the blood as it dribbles down her hands, between her fingers, and down her wrists. The warm weight in her arms.

She has gone completely cold. She undoes his shirt and looks. His torso begins to flood; the three coin-slot wounds swim in and out of view, it’s like trying to see the bottom of a red pond.

‘No.’ Her voice is thick and wet as she screams.

She looks around her desperately, wanting someone else to take charge.

She lays him on their driveway and leans over him. She blinks, peering carefully. She hopes she’s wrong, but she’s sure, for just a moment, that he isn’t here anymore. His eyes are open and still, no comprehension in them.

The night is completely silent, and after what must be several minutes, she blinks, then looks up at her son, still holding the knife, just gazing down at her, his expression neutral. He drops the knife. It sings as the metal hits the frozen pavement. He wipes a hand across his face, leaving a smear of blood.