Back That Night Save as PDF
Contents (166)
  1. Gillian McAllister
  2. Contents
  3. About the Author
  4. Prologue
  5. 1.
  6. Cathy
  7. 2.
  8. Joe
  9. 3.
  10. Cathy
  11. 4.
  12. Now
  13. 5.
  14. Then
  15. 6.
  16. Joe
  17. Part I
  18. 7.
  19. Joe
  20. 8.
  21. Now
  22. 9.
  23. Then
  24. 10.
  25. Lydia
  26. 11.
  27. Joe
  28. 12.
  29. Cathy
  30. 13.
  31. Now
  32. 14.
  33. Then
  34. 15.
  35. Cathy
  36. Part II
  37. 16.
  38. Joe
  39. 17.
  40. Now
  41. 18.
  42. Then
  43. 19.
  44. Joe
  45. 20.
  46. Joe
  47. 21.
  48. Now
  49. Part III
  50. 22.
  51. Then
  52. 23.
  53. Cathy
  54. 24.
  55. Joe
  56. 25.
  57. Joe
  58. 26.
  59. Now
  60. 27.
  61. Then
  62. 28.
  63. Lydia
  64. 29.
  65. Joe
  66. 30.
  67. Cathy
  68. 31.
  69. Lydia
  70. 32.
  71. Cathy
  72. 33.
  73. Joe
  74. 34.
  75. Cathy
  76. 35.
  77. Now
  78. 36.
  79. Then
  80. 37.
  81. Joe
  82. 38.
  83. Now
  84. 39.
  85. Then
  86. 40.
  87. Joe
  88. 41.
  89. Now
  90. 42.
  91. Then
  92. 43.
  93. Joe
  94. 44.
  95. Cathy
  96. 45.
  97. Lydia
  98. 46.
  99. Joe
  100. 47.
  101. Cathy
  102. 48.
  103. Now
  104. 49.
  105. Then
  106. Part IV
  107. 50.
  108. Joe
  109. 51.
  110. Cathy
  111. 52.
  112. Now
  113. 53.
  114. Then
  115. Part V
  116. 54.
  117. Joe
  118. 55.
  119. Cathy
  120. Part VI
  121. 56.
  122. Joe
  123. 57.
  124. Cathy
  125. 58.
  126. Now
  127. 59.
  128. Then
  129. 60.
  130. Joe
  131. 61.
  132. Cathy
  133. 62.
  134. Cathy
  135. 63.
  136. Joe
  137. 64.
  138. Cathy
  139. 65.
  140. Joe
  141. 66.
  142. Lydia
  143. 67.
  144. Joe
  145. Part VII
  146. 68.
  147. Joe
  148. 69.
  149. Now
  150. 70.
  151. Then
  152. 71.
  153. Cathy
  154. 72.
  155. Now
  156. 73.
  157. Then
  158. 74.
  159. Now
  160. Epilogue
  161. Acknowledgements
  162. Read more
  163. Read more
  164. Prologue
  165. THIS IS JUST THE BEGINNING
  166. Table of Contents

She shifts against him, moving her body underneath his arm, which clamps around her, like they’re out to sea and he’s rescuing her. She stays like that, half sitting, half lying, for several minutes.

There’s a noise outside. She flinches immediately against Tom, as though her body knows before her mind does that it’s all over. The living room takes on a strange tone. It’s lit up blue. Sirens. They’re coming. They’re here.

‘Will they be lenient with me?’ she asks Tom, who puts his hand on her shoulder. She leans her cheek down on it. It could have been really good, being with him, she thinks. It could have been perfect.

She blinks at him. The sirens are loud now, surely on her street, the living room a blaze of blue and white, flashing on and off, on and off.

She steps away from him.

He leads her into the hallway and reaches for the door handle for her. The sirens are so loud. ‘You’ve done the right thing,’ he says, but, already, the noise of the sirens is filling the house. Police cars and ambulances.

‘It’s not – it’s not – I’m sorry.’

The sirens strobe in the night.

Tom draws his mouth together in a tight line. And then his eyes meet hers. Sad eyes, like he knows something, can see something that she can’t, that she doesn’t understand. He raises his shoulders, just a fraction of a centimetre. If a stranger did it, she wouldn’t know what it meant, but she knows him, her Tom. The half-smile, the shoulders. A sad parting of ways.

She turns off the light in the hallway and stands there for a few seconds, her house bathed in police-blue, like an aquarium.

‘Stand down,’ she hears a tinny voice say outside. Cathy feels nothing. Not guilt at the betrayal of her family, not fear of her imminent arrest for her role in everything, not regret for everything that happened in Verona, and afterwards. Cathy feels nothing. Absolutely nothing.

‘Show yourself,’ the police say, and Cathy knows she should cooperate, but then she thinks of everything that’s happened since Verona, every desperate action, every lie, and she thinks that all is lost except this moment, with Tom still in her kitchen, for only a few minutes more. So, instead, Cathy watches them creep further and further towards her, like a slow, incoming tide that will eventually reach her and drown her but not quite yet. Not quite yet. She reaches for him. They still have a minute together. Maybe two.

71.

Cathy

Cathy isn’t handcuffed. Nobody pushes her head down into the back of the police car. Instead, she is read the caution, and then ignored, driven to Perry Barr Police Station, somewhere she has heard of but not ever been to, until now.

A separate police car came for Joe. An ambulance for Evan, though it was obviously futile. Cathy will never forget the sight of Joe, bloodied and mad, his eyes bright and feverish, in the outhouse as he pleaded with her.