Back That Night Save as PDF
Contents ( 166)
  1. Gillian McAllister
  2. Contents
  3. About the Author
  4. Prologue
  5. 1.
  6. Cathy
  7. 2.
  8. Joe
  9. 3.
  10. Cathy
  11. 4.
  12. Now
  13. 5.
  14. Then
  15. 6.
  16. Joe
  17. Part I
  18. 7.
  19. Joe
  20. 8.
  21. Now
  22. 9.
  23. Then
  24. 10.
  25. Lydia
  26. 11.
  27. Joe
  28. 12.
  29. Cathy
  30. 13.
  31. Now
  32. 14.
  33. Then
  34. 15.
  35. Cathy
  36. Part II
  37. 16.
  38. Joe
  39. 17.
  40. Now
  41. 18.
  42. Then
  43. 19.
  44. Joe
  45. 20.
  46. Joe
  47. 21.
  48. Now
  49. Part III
  50. 22.
  51. Then
  52. 23.
  53. Cathy
  54. 24.
  55. Joe
  56. 25.
  57. Joe
  58. 26.
  59. Now
  60. 27.
  61. Then
  62. 28.
  63. Lydia
  64. 29.
  65. Joe
  66. 30.
  67. Cathy
  68. 31.
  69. Lydia
  70. 32.
  71. Cathy
  72. 33.
  73. Joe
  74. 34.
  75. Cathy
  76. 35.
  77. Now
  78. 36.
  79. Then
  80. 37.
  81. Joe
  82. 38.
  83. Now
  84. 39.
  85. Then
  86. 40.
  87. Joe
  88. 41.
  89. Now
  90. 42.
  91. Then
  92. 43.
  93. Joe
  94. 44.
  95. Cathy
  96. 45.
  97. Lydia
  98. 46.
  99. Joe
  100. 47.
  101. Cathy
  102. 48.
  103. Now
  104. 49.
  105. Then
  106. Part IV
  107. 50.
  108. Joe
  109. 51.
  110. Cathy
  111. 52.
  112. Now
  113. 53.
  114. Then
  115. Part V
  116. 54.
  117. Joe
  118. 55.
  119. Cathy
  120. Part VI
  121. 56.
  122. Joe
  123. 57.
  124. Cathy
  125. 58.
  126. Now
  127. 59.
  128. Then
  129. 60.
  130. Joe
  131. 61.
  132. Cathy
  133. 62.
  134. Cathy
  135. 63.
  136. Joe
  137. 64.
  138. Cathy
  139. 65.
  140. Joe
  141. 66.
  142. Lydia
  143. 67.
  144. Joe
  145. Part VII
  146. 68.
  147. Joe
  148. 69.
  149. Now
  150. 70.
  151. Then
  152. 71.
  153. Cathy
  154. 72.
  155. Now
  156. 73.
  157. Then
  158. 74.
  159. Now
  160. Epilogue
  161. Acknowledgements
  162. Read more
  163. Read more
  164. Prologue
  165. THIS IS JUST THE BEGINNING
  166. Table of Contents

She cups her face in her hands, allowing a smile to spread. No affairs. No bankruptcy. Just a woman in Verona that Joe spoke to because he was worried about their villa.

‘No problem,’ the woman says. ‘He wanted to know when we’re starting and what the area looked like, how it would affect the value of his villa. I have been meaning to call back – it’s been postponed because of the police investigation. They have a particular area of concern just off the track road. They’re searching everywhere around there, it’s such a pain … there is not an inch of Verona untouched, it seems.’

Lydia thanks her and rings off. Well, she can’t tell Joe that, can she? He’ll just have to find out for himself. It’s only a development. Nothing sinister.

She spends the rest of the day smiling.

46.

Joe

‘Emergency,’ Joe says, rubbing at his forehead. Even though he has washed his hands, his wrist still carries the metallic tang of blood on it. At least, he thinks it does. He smells it sometimes, the blood from that night. It’s a memory, a phantom. He sniffs again, just checking.

‘Yeah?’ Lydia says, her eyes tracking the movement of his arm. She’s sitting on their blue sofa, her socked feet poking out from underneath a white throw. Her body language is easy.

‘What?’ Joe says. He sits down next to her. Even his legs ache. What’s the matter with him?

Fucking hell, he is thinking. They’re searching a specific area. What does that mean? Evan now knows. The ship is sinking, water pouring in faster than they can stop it.

Joe unclenches his jaw and looks at her properly. ‘What’s with you?’ he says.

‘I owe you an apology.’

‘Do you?’

‘I’m sorry I was suspicious. I know what the Verona thing is.’

Joe’s heart rolls over in his chest. ‘What?’

‘I know you’re only worried about the development. So – what? Have you tried to stop it? In some illegal way?’

God, Joe thinks, raking his hair back from his forehead. The guilt. The fucking guilt of this. He can’t cope with it. At every turn there is no right thing to do. Everyone else has aces and kings, and he has a dummy hand.

Joe scoots closer to her on the sofa, small compensation for shutting her out. ‘How do you know about that?’

‘Oh, just Google.’

‘You don’t owe me an apology. Yes, I was trying to stop the development.’

‘Of the woods?’ Lydia asks.

‘Yes.’

‘What did you do?’

‘Just wrote letters …’ Joe says feebly.

‘And you rang a woman? Didn’t you?’

‘No.’

‘I know you did,’ Lydia says. ‘You’re still lying, Joe. But I thought this was just about –’

‘I’ve said I can’t tell you.’

And then she gets up and walks away from him like a skittish animal. She goes upstairs and slams the door to the bathroom. He hears a bath start running, one that she probably doesn’t want. Lydia is prickly about her role in the family. Won’t accept she will always be once removed.