Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

The other contributor who was immeasurably helpful to my research is also a resident of the Bay Area. I first met Linda Arce Hodges when I was performing at the highly esteemed Tomorowland Terrace in Disneyland twenty-something years ago. She was a particularly vociferous voice in the crowd, but as the years went by, she evolved from fan to friend and pen pal, especially regarding our shared interests in theology. Last year, when I asked Linda a minor question about the layout of the approach to the Bay Bridge, her interest became sparked by Ray’s story and the lost world of Treasure Island. Soon, she was playing Paul Drake to my Perry Mason, sending dispatches from the Oakland front as if we were on a transcoastal scavenger hunt for obscure information important only to us: the names of every telephone exchange in San Francisco in 1940, the history of dirigible bases in California, the cost of parking on the Magic Isle. It was Linda who tracked down the lethal ledge on Grizzly Peak and convinced the Alameda Museum (many thanks, Diane Coler-Dark) to let me view a remarkable color home movie taken in 1940 by the Pagano family at Treasure Island, allowing me to see scenes of the Gayway that could not be found anywhere else. I have found my own way of acknowledging Linda, her husband, and her family within this book. It is small recompense for the privilege of having such a fabulous partner in crime.

For their input, I must also thank gifted mystery and romance novelist Laura Hayden, who has always been a generous sounding board for my own work; the deep-feeling Susan Little, educator par excellence, who created a veritable annotated guide to Swing in real time as she read the first draft; and the sensitive and artful writer Lisa Filadelfia, who made a very strong case for a number of important adjustments in the first part of this novel. And I gratefully thank the delightful Emma Esposito, who has been one of my best reference sources on all matters under the sun.

I’m privileged to be the husband of Liza Holmes. If anywhere in this story you find a smattering of goodness, strength, courage, or kindness, then you’ve found Liza, who has given me all of this, and her sustenance, care, guidance, and laughter, for several lifetimes. We have also had occasion to cry together. I treasure you, Liza.

I thank my beloved sons, Nick and Tim, for all the joy, purpose and hope they have given me. Tim is autistic and can’t decipher these words at the present, so I’ll tell him more when I can next embrace him. Nick has done great things with his life while I have been writing this book, and he can take all the credit for that. Each day I feel lucky and proud to be his father.