Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

She was dressed in what I’d read was the current rage among college girls on the opposite coast: men’s clothing. Her camel-colored slacks were of soft flannel and her right-buttoning jacket was of forest-green wool, under which I could see a white oxford shirt and boy’s suspenders. Oversized green-and-brown argyle socks bunched around her ankles above a pair of men’s brown moccasins.

Still, there’d be no way you’d mistake her for a boy, even at a distance. She was pretty damn fetching, but she acted as if she didn’t know that. Her wild brown hair, which had obviously been shampooed that very morning, clearly disagreed with her on the topic of where it should fall. Its mass formed a nice backdrop for her bright, expressive features.

She sat herself down at my table. “So thank you for meeting me here, Mr. Sherwood.”

“Call me Ray,” I said.

“Okay then, Ray. I’m really stunned. I mean, writing that note to you was a case of ‘I shot an arrow into the air.’ And here you are.”

I nodded at her wardrobe. “That’s some number.”

She looked down at her clothes and laughed. “I don’t always wear men’s clothing, but I’m not exactly rolling in dough—you fellows don’t realize how good you’ve got it. Women have to pay double or triple what men pay for an outfit, and how many times a week do you think we can wear it?” She toyed with her lapels. “I’m working my way through school, the Department of Music over at Berkeley, and this getup is one quarter the price of something from the Sather Gate Shop. And it makes quite an impression, I think.”

That it did, I told her, and asked how she knew of me.

“Well, I have all of Jack Donovan’s records, the three on Vocalion and the new one on Brunswick . . . ‘Beef Lo Mein,’ ‘Soup du Jour,’ ‘The Music Speaks to Me’ . . . I really love the arrangements. And then I read about you in Art Garnett’s column in Metronome magazine and found out they were all your charts.”

“It was a very short paragraph.”

“But very complimentary. Seeing you here, though, I don’t think the photo did you any justice.”

I was much enjoying the drift of this conversation as the café’s only waiter approached Gail with a look of ennui he’d most likely received on graduation day at the Sorbonne.

“Just a glass of water, but bring me the check,” Gail seemed pleased to say, indicating my coffee and roll. The waiter’s eyes conveyed the overwhelming futility of life, and he departed.

I asked her, “How did you know I’d be at the Claremont?”