Chapters (68)
- Cover Page
- Title Page
- Copyright Page
- Dedication
- Praise
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Acknowledgments
- About the Author
- Also by Rupert Holmes
- What’s next onyour reading list?
The room itself had been laid out and decorated in a way that would make its inhabitants envious of Bob Cratchit. Twelve wooden tables were each topped by large green blotters that now more closely resembled the world’s most ambitious Rorschach test. Blank music manuscript and onionskin paper stood in stacks on the left side of each table. Overhead fluorescent lights bleached away any shadows that twelve goosenecked lamps might not eliminate.
There were seven men of various ages and one woman in her mid-forties, all at work on different projects.
A long counter intervened between this work area and the entrance to the office. Behind it, a man with a thin salt-and-pepper mustache was jabbing at an Underwood typewriter. He consulted some notes in a ledger to his left. “Yes, sir,” he said to me, not looking up from his work.
“I have a score I’d like extracted into parts for a rehearsal this Saturday. Can you give me an estimate?”
“An estimate takes time. Are you in the union?”
“Yes, I am.”
“See your card, please?”
I got out my wallet and handed him my A.F. of M. Local 802 card. He handed it back and resumed typing. I thought he was just finishing up something, but after a full minute I had the feeling if I didn’t speak up, we’d never converse again. “So?” I asked.
He rolled the paper out of the typewriter. “We try not to do out-of-town jobs.”
“But this is to be performed here, on Treasure Island.”
“But you’re from out of town. We’d need payment in advance, in full.”
“Fine, how much?”
He shrugged. “There’s really no way to tell until the work is done.”
At that moment, a very tall, elderly man walked in—early seventies perhaps, but far from frail. You don’t see a lot of very tall old men. His white beard and hair were stunning against his slightly sunburned face. He had a small satchel in his hand. I realized that I knew him.
“Professor Haffner?” I asked, and he nodded. “Sir, I was a student of yours at the Institute of Musical Arts in New York some twenty years ago.”
He peered at me.
“You were a student of mine?” he asked somewhat disbelievingly, though I don’t know why.
“Well, just first-year theory. But what an honor it was, Professor.”
Haffner looked at the mustached fellow behind the counter. “Attention, Gilbert. Across your threshold comes an honest man.” He turned back to me. “What year did you have the pleasure of studying with me, young man?”
I told him, and he reeled off a list of names I hadn’t thought of for quite some time. They were all classmates of mine; he had the right year. I was slightly stung that he didn’t mention my name. Aw, damn. I hadn’t made an impression on him.