Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

The room itself had been laid out and decorated in a way that would make its inhabitants envious of Bob Cratchit. Twelve wooden tables were each topped by large green blotters that now more closely resembled the world’s most ambitious Rorschach test. Blank music manuscript and onionskin paper stood in stacks on the left side of each table. Overhead fluorescent lights bleached away any shadows that twelve goosenecked lamps might not eliminate.

There were seven men of various ages and one woman in her mid-forties, all at work on different projects.

A long counter intervened between this work area and the entrance to the office. Behind it, a man with a thin salt-and-pepper mustache was jabbing at an Underwood typewriter. He consulted some notes in a ledger to his left. “Yes, sir,” he said to me, not looking up from his work.

“I have a score I’d like extracted into parts for a rehearsal this Saturday. Can you give me an estimate?”

“An estimate takes time. Are you in the union?”

“Yes, I am.”

“See your card, please?”

I got out my wallet and handed him my A.F. of M. Local 802 card. He handed it back and resumed typing. I thought he was just finishing up something, but after a full minute I had the feeling if I didn’t speak up, we’d never converse again. “So?” I asked.

He rolled the paper out of the typewriter. “We try not to do out-of-town jobs.”

“But this is to be performed here, on Treasure Island.”

“But you’re from out of town. We’d need payment in advance, in full.”

“Fine, how much?”

He shrugged. “There’s really no way to tell until the work is done.”

At that moment, a very tall, elderly man walked in—early seventies perhaps, but far from frail. You don’t see a lot of very tall old men. His white beard and hair were stunning against his slightly sunburned face. He had a small satchel in his hand. I realized that I knew him.

“Professor Haffner?” I asked, and he nodded. “Sir, I was a student of yours at the Institute of Musical Arts in New York some twenty years ago.”

He peered at me.

“You were a student of mine?” he asked somewhat disbelievingly, though I don’t know why.

“Well, just first-year theory. But what an honor it was, Professor.”

Haffner looked at the mustached fellow behind the counter. “Attention, Gilbert. Across your threshold comes an honest man.” He turned back to me. “What year did you have the pleasure of studying with me, young man?”

I told him, and he reeled off a list of names I hadn’t thought of for quite some time. They were all classmates of mine; he had the right year. I was slightly stung that he didn’t mention my name. Aw, damn. I hadn’t made an impression on him.