Back Kaifiyat
Chapters (107)
  1. Cover
  2. Dedication
  3. Foreword
  4. Introduction
  5. POEMS
  6. Shaukat ke Naam
  7. To Shaukat*
  8. Pashemani
  9. Regret
  10. Sarojini Naidu
  11. Sarojini Naidu
  12. Behroopni
  13. She of the Many Faces
  14. Andeshe
  15. Anxious Thoughts
  16. Aurat
  17. Woman
  18. Bewa ki Khudkushi
  19. A Widow’s Suicide
  20. Doshiza Malan
  21. The Virginal Flower Girl
  22. Ek Dua
  23. A Prayer
  24. Ek Bosa
  25. A Kiss
  26. Ek Lamha!
  27. A Moment!
  28. Ehtiyat
  29. Caution
  30. Naya Husn
  31. New Beauty
  32. Nazrana
  33. Tribute
  34. Pyar ka Jashn
  35. A Celebration of Love
  36. Tasawur
  37. Imagination
  38. Tum
  39. You
  40. Ajnabi
  41. Stranger
  42. Pehla Salaam
  43. The First Greeting
  44. Aaina
  45. Mirror
  46. Akhfa-i Muhabbat
  47. Concealing Love
  48. Roosi Aurat ka Naara
  49. The Call of the Russian Woman
  50. Hausla
  51. Courage
  52. Garbhwati
  53. The Pregnant Woman
  54. Peetal ke Kangan
  55. Brass Bangles
  56. FILM LYRICS
  57. Waqt Ne Kiya Kya Haseen Sitam*
  58. What a Beautiful Cruelty Time Has Inflicted
  59. Zara Sii Aahat Hotii Hai*
  60. At the Faintest Footfall . . .
  61. Yeh Nayan Darey Darey*
  62. These Fear-filled Eyes
  63. Merey Chanda, Mere Nanhe*
  64. My Darling, My Little One
  65. Kuchh Dil Ne Kaha*
  66. The Heart Says Something
  67. Dheerey-dheerey Machal Ai Dil-e Be-qaraar*
  68. Quieten, Quieten, O Restless Heart
  69. Abhi Kya Sunogey Suna To Hasogey*
  70. What Will You Hear Now, You Will Laugh If You Do
  71. Maa Hai Mohabbat ka Naam*
  72. A Mother Is a Name for Love
  73. Aaj Socha To Aansu Bhar Aaye*
  74. Tears Well Up When I Think of It
  75. Betaab Dil Ki Tamanna Yehi Hai*
  76. The Sole Desire of My Restless Heart
  77. Hai Tere Saath Meri Wafa*
  78. My Fidelity Will Stay with You
  79. Har Taraf Ab Yahii Afsaney Hain*
  80. All Around Me I Hear It Said
  81. Koi Yeh Kaise Bataye Ke Woh Tanha Kyun Hai*
  82. How Does One Explain . . .
  83. Jhuki Jhuki Si Nazar . . .*
  84. This Lowered Gaze
  85. Tum Itna Jo Muskura Rahey Ho . . .*
  86. You Are Smiling So Much
  87. Afterword
  88. Footnotes
  89. To Shaukat
  90. The Virginal Flower Girl
  91. Waqt Ne Kiya Kya Haseen Sitam
  92. Zara Sii Aahat Hotii Hai
  93. Yeh Nayan Darey Darey
  94. Merey Chanda, Mere Nanhe
  95. Kuchh Dil Ne Kaha
  96. Dheerey-dheerey Machal Ai Dil-e Be-qaraar
  97. Abhi Kya Sunogey Suna To Hasogey
  98. Maa Hai Mohabbat ka Naam
  99. Aaj Socha To Aansu Bhar Aaye
  100. Betaab Dil Ki Tamanna Yehi Hai
  101. Hai Tere Saath Meri Wafa
  102. Har Taraf Ab Yahii Afsaney Hain
  103. Koi Yeh Kaise Bataye Ke Woh Tanha Kyun Hai
  104. Jhuki Jhuki Si Nazar . . .
  105. Tum Itna Jo Muskura Rahey Ho . . .
  106. Select Bibliography
  107. THE BEGINNING

There were no further questions asked. He didn’t probe, didn’t want to know the details of what that meant. He trusted me enough to take me for my word and gave me his blessings. That was one of the most momentous decisions of my life. Had Abba said no, I wonder if I would have had the courage to defy him—not because I’m frightened of him but because in the most personal of matters he can be relied upon to make the most objective judgement. There are instances without number when I have turned to him for advice. He never gives an opinion unless it is asked for, which is a far cry from Mummy and me who can’t help but dole it out mostly to unwilling ears!

In the early years of my career I was so immersed in my films that I knew little about what was happening in the world outside and was content within my own bubble. I remember Tariq Ali and Saeed Akhtar Mirza expressing their dismay at my being such an unworthy daughter but Abba put no pressure on me or ever said, ‘You should do this or that.’ I think he was confident that meri mitti itni geeli thhi ke ankur to phootega hi. (My soil was so fertile that the plant would eventually take root.) And so it did.

My childhood was spent travelling with my mother’s Prithvi Theatre on one hand, and on the other, mazdoor kisan meetings in Madanpura with my father. There used to be red banners everywhere, a lot of naare-baazi and a lot of protest poetry. As a child I was only interested in these rallies because the labourers pampered me. Imperceptibly, however, my roots were catching soil. The films I was doing started leaving their imprint on me and I started getting involved with women’s issues, the rights of the homeless and the need for communal harmony. Today when I’m at a demonstration, participating in a padyatra or in a hunger strike, it is merely an extension of what I saw happening around me as a child.

In 1986, a big slum had been demolished at Cuffe Parade in Bombay to make way for a hostel for MLAs. The slum dwellers had knocked on every door to get alternative accommodation which was their due by law but no one was willing to pay any heed to them. I joined Anand Patwardhan and three slum dwellers from Sanjay Gandhi Nagar on an indefinite hunger strike. On the fourth day of the strike my blood pressure started falling and my mother was beside herself with fear. To her dismay, Abba, who was in Patna, sent me a telegram saying, ‘Best of luck, Comrade!’