Chapters (107)
- Cover
- Dedication
- Foreword
- Introduction
- POEMS
- Shaukat ke Naam
- To Shaukat*
- Pashemani
- Regret
- Sarojini Naidu
- Sarojini Naidu
- Behroopni
- She of the Many Faces
- Andeshe
- Anxious Thoughts
- Aurat
- Woman
- Bewa ki Khudkushi
- A Widow’s Suicide
- Doshiza Malan
- The Virginal Flower Girl
- Ek Dua
- A Prayer
- Ek Bosa
- A Kiss
- Ek Lamha!
- A Moment!
- Ehtiyat
- Caution
- Naya Husn
- New Beauty
- Nazrana
- Tribute
- Pyar ka Jashn
- A Celebration of Love
- Tasawur
- Imagination
- Tum
- You
- Ajnabi
- Stranger
- Pehla Salaam
- The First Greeting
- Aaina
- Mirror
- Akhfa-i Muhabbat
- Concealing Love
- Roosi Aurat ka Naara
- The Call of the Russian Woman
- Hausla
- Courage
- Garbhwati
- The Pregnant Woman
- Peetal ke Kangan
- Brass Bangles
- FILM LYRICS
- Waqt Ne Kiya Kya Haseen Sitam*
- What a Beautiful Cruelty Time Has Inflicted
- Zara Sii Aahat Hotii Hai*
- At the Faintest Footfall . . .
- Yeh Nayan Darey Darey*
- These Fear-filled Eyes
- Merey Chanda, Mere Nanhe*
- My Darling, My Little One
- Kuchh Dil Ne Kaha*
- The Heart Says Something
- Dheerey-dheerey Machal Ai Dil-e Be-qaraar*
- Quieten, Quieten, O Restless Heart
- Abhi Kya Sunogey Suna To Hasogey*
- What Will You Hear Now, You Will Laugh If You Do
- Maa Hai Mohabbat ka Naam*
- A Mother Is a Name for Love
- Aaj Socha To Aansu Bhar Aaye*
- Tears Well Up When I Think of It
- Betaab Dil Ki Tamanna Yehi Hai*
- The Sole Desire of My Restless Heart
- Hai Tere Saath Meri Wafa*
- My Fidelity Will Stay with You
- Har Taraf Ab Yahii Afsaney Hain*
- All Around Me I Hear It Said
- Koi Yeh Kaise Bataye Ke Woh Tanha Kyun Hai*
- How Does One Explain . . .
- Jhuki Jhuki Si Nazar . . .*
- This Lowered Gaze
- Tum Itna Jo Muskura Rahey Ho . . .*
- You Are Smiling So Much
- Afterword
- Footnotes
- To Shaukat
- The Virginal Flower Girl
- Waqt Ne Kiya Kya Haseen Sitam
- Zara Sii Aahat Hotii Hai
- Yeh Nayan Darey Darey
- Merey Chanda, Mere Nanhe
- Kuchh Dil Ne Kaha
- Dheerey-dheerey Machal Ai Dil-e Be-qaraar
- Abhi Kya Sunogey Suna To Hasogey
- Maa Hai Mohabbat ka Naam
- Aaj Socha To Aansu Bhar Aaye
- Betaab Dil Ki Tamanna Yehi Hai
- Hai Tere Saath Meri Wafa
- Har Taraf Ab Yahii Afsaney Hain
- Koi Yeh Kaise Bataye Ke Woh Tanha Kyun Hai
- Jhuki Jhuki Si Nazar . . .
- Tum Itna Jo Muskura Rahey Ho . . .
- Select Bibliography
- THE BEGINNING
Yeh dhadakta hua gumbad mein dil-e-Shahjahan
Yeh dar-o-baam pe hansta hua malika ka shabab
Jagmagata hai har ik tah se mazaq-e-tafriq
Aur tarik•h uddhati hai mohabbat ki naqab
Chandni aur ye mahal alam-e-hairat ki qasam
Dudh ki nahr mein jis tarah ubaalaa jaaye
Aise sayyah ki nazron mein khupe kya ye saman
Jisko Farhaad ki qismat ka k•hayal aa jaaye
Dost! Main dekh chuka Taj Mahal
. . . vapas chal
Ye damakti hui chaukhat ye tila-posh kalas
Inhin jalvon ne diya qabr-parasti ko rivaj
Maah-o anjum bhi hue jaate hain majbur-e-sujud
Vaah araam-gah-e-malika-e-maabud-mizaj
Didani qasr nahin didani taqsim hai ye
Ru-e-hasti pe dhuan qabr pe raqs-e-anvar
Phail jaaye isi rauza ka jo simta daaman
Kitne jaan-dar janazon ko bhi mil jaaye mazar
Dost! Main dekh chuka Taj Mahal
. . . vapas chal
My friend, I have seen the Taj Mahal
let us go back
A diamond boiling over with alabaster flowers
Silvery minarets blazing in the fire of the moon
Winking continuously at the poet’s mind
The grand and alluring mausoleum of an empress
Like a question, it flashed through the mind’s eye
The thought of those who lie in the streets like corpses
Whose nerves and sinews shrink lifelessly
Whose skulls smash like cymbals in the heat
My friend, I have seen the Taj Mahal
let us go back
In this dome the beating heart of Shahjahan
The smiling face of an empress on its walls
Glittering from every layer satire and discrimination
Over which history drapes the mask of love
I swear by the moonlight and by this world of wonders
Like a canal of milk coming to the boil
So too does this scene meets the traveller’s gaze
One who is reminded of the fate of Farhad
My friend, I have seen the Taj Mahal
let us go back
This gleaming threshold, this becrowned dome
It is these marvels that have encouraged the worship of graves
Even the stars perforce bow in prostration
Such is the boudoir of the much-adored empress
Not a palace but a clearly visible division this is
Like smoke on the face of life, like the dance of light on a grave
Spreading across this garden tomb as soon as its hem shrinks
May many life-filled funerals find such mausoleums
My friend, I have seen the Taj Mahal
let us go back
Kaifi joined the CPI in 1943 when he was twenty-four years old and remained a card-holding member his entire life. While the party suffered many ups and down in the course of its existence in India since its inception in 1925, its split in 1964 into the CPI and the CPI-M makes him write the hauntingly elegiac ‘Awaara Sajdey’ that ends with this heart-breaking admission:
Eik ke baad Khuda eik chala aata thha
Keh diya aql ne tang aake Khuda koi nahiin