Chapters (80)
- Cover
- How to Save a Life
- Dedication page
- A Guide to the Chain of Survival: Part 1
- Chapter 1: Kerry
- Chapter 2: Tim
- Chapter 3: Kerry
- Chapter 4: Tim
- Chapter 5: Kerry
- Chapter 6: Joel
- Chapter 7: Kerry
- Chapter 8: Joel
- Chapter 9: Kerry
- Chapter 10: Tim
- Chapter 11: Joel
- Chapter 12: Kerry
- Chapter 13: Joel
- Chapter 14: Kerry
- Chapter 15: Joel
- Chapter 16: Kerry
- Chapter 17: Kerry
- Chapter 18: Tim
- Chapter 19: Joel
- A Guide to the Chain of Survival: Part 2
- Chapter 20: Kerry
- Chapter 21: Tim
- Chapter 22: Kerry
- Chapter 23: Joel
- Chapter 24: Tim
- Chapter 25: Kerry
- Chapter 26: Joel
- Chapter 27: Tim
- Chapter 28: Joel
- Chapter 29: Kerry
- Chapter 30: Joel
- Chapter 31: Kerry
- Chapter 32: Joel
- Chapter 33: Tim
- Chapter 34: Kerry
- Chapter 35: Tim
- Chapter 36: Joel
- Chapter 37: Kerry
- A Guide to the Chain of Survival: Part 3
- Chapter 38: Joel
- Chapter 39: Tim
- Chapter 40: Kerry
- Chapter 41: Joel
- Chapter 42: Tim
- Chapter 43: Joel
- Chapter 44: Kerry
- Chapter 45: Tim
- Chapter 46: Kerry
- Chapter 47: Tim
- Chapter 48: Joel
- Chapter 49: Kerry
- Chapter 50: Joel
- Chapter 51: Kerry
- Chapter 52: Joel
- A Guide to the Chain of Survival: Part 4
- Chapter 53: Kerry
- Chapter 54: Joel
- Chapter 55: Tim
- Chapter 56: Kerry
- Chapter 57: Joel
- Chapter 58: Kerry
- Chapter 59: Joel
- Chapter 60: Kerry
- Chapter 61: Joel
- Chapter 62: Kerry
- Chapter 63: Joel
- Chapter 64: Kerry
- Chapter 65: Joel
- Chapter 66: Kerry
- Chapter 67: Joel
- Chapter 68: Kerry
- Chapter 69: Joel
- Author’s Note
- Acknowledgements and Further Reading
- Praise
- How to Save a Life
I am running out of hope when I meet Olivia.
The other two producers are people I wouldn’t trust to make a cup of tea, never mind make a programme that could change everything for me and Leo.
‘Look, you know how it goes, Joel. If you go on the journey yourself, we’re talking peak-time potential. Otherwise, you’ll struggle to get a daytime slot.’
She pulls a face. Olivia is already well beyond making daytime TV. She’s only a couple of years older than me, but she’s already getting a name for making tender but intelligent documentaries.
Her looks must help her convince interviewees to open their hearts. Those giant grey eyes convey sympathy and there’s a promise of a smile you want to work hard to see. She dresses in muted shades concealing what looks like a great figure.
‘So are you not interested in working with me?’ I ask. ‘I’d rather know now, save both of us time and energy.’
I wait as she thinks. The braying of the other media types bounces off the glass-and-maple walls of the private members’ club my dad chose for these meetings. The documentary was his idea: to explore the issues around genetic testing while going through the screening process with Leo, something I’ve been considering for years.
Things have moved on since my cardiac arrest thirteen years ago. Back then, they called it ‘idiopathic’ – it had no known cause. But now scientists have identified more faulty genes that might be to blame. If they find one of those in my DNA, they can also tell if I’ve passed it on to Leo.
The proposal appealed because I have been looking for a project with meaning, alongside the fluffier work that pays my brand-new mortgage. But there is one big issue. If it goes ahead, I’ll have to try to talk to Zoë. I already post her new photos of Leo every few months, with a note on what he’s doing and learning. I always end with an offer to arrange a meeting, but she’s only replied to me once, saying one day, when I’m in a better place.
Instead she sends him Christmas and birthday cards, signed, Mummy, who loves you and thinks of you every day. I agonized over whether it’d confuse him to see the cards, but in the end, it’s better for him to know she’s thinking about him. I try to make sure he isn’t missing out. Work lets me be there for everything that matters: concerts and hospital appointments, and sports days in the same playground where I used to kick a ball around.
‘Be honest with me, Joel,’ Olivia says at last. ‘Is this about your career or about the message?’
‘That makes a difference to you?’