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Chapters (84)
  1. Cover
  2. Dedication
  3. The Lost Daughter
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Epilogue
  71. Acknowledgments
  72. An Excerpt from JACKIE AND MARIA
  73. Chapter 1
  74. Chapter 2
  75. P.S. Insights, Interviews & More . . .*
  76. About the Author
  77. About the Book
  78. Historical Afterword
  79. Sources
  80. The Love Lives of the Romanov Daughters
  81. Reading Group Questions
  82. Praise for The Lost Daughter
  83. By Gill Paul
  84. About the Publisher

During her lunch hour the following day, Val went to the university library and found the Russian history section, thinking that she might read about the Revolution and civil war that had forced her father to leave his homeland. She collected a stack of books and sat down to flick through them and decide which was most enticing. There were black-and-white photographs of the Romanov family in one, and she glanced at them, then stopped and flicked through the following pages: four girls and a boy, just as there appeared to be in her father’s photographs. What was more, the girls all wore white dresses. It had to be coincidence. All the same, she checked the book out of the library and took it home.

Holding her photographs against the book, Val realized with creeping amazement that they showed the Romanov family. The first girl she could identify for sure was Tatiana; she had a pixie face with a pronounced bone structure, matching that in one of the images exactly. Maria’s face was rounder and prettier, just like the girl in a soft, grainy shot. Alexei had a gaunt face and looked very frail. It appeared they had been photographed in the last house where they were held prisoner, the Ipatiev House: there was the high fence surrounding the yard. But how did her father come to have these pictures? And why was there one of him among them?

Ha Suran said he had been a factory worker. Val assumed cameras were expensive in 1918, and wondered how he could afford one. But after the Revolution, he had made his fortune selling the goods of aristocratic Russians who had fled from the Bolsheviks. She guessed he must have stolen this camera from the Romanovs and then taken photographs of himself and two of his friends on the same film. Why did he never process them? Did he forget they were there?

She looked once more at the images of these people who posed for the camera little suspecting that they were soon to be killed in that very house. Then again, given their haunted expressions, she wondered if perhaps they had an inkling.

She checked in her book but it didn’t show any images of the family in the Ipatiev House, where they had spent their final three months. It came to her with a shock that these might even be the last photographs of them alive.

Chapter 36

Sydney, October 1974