Chapters (84)
- Cover
- Dedication
- The Lost Daughter
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Epilogue
- Acknowledgments
- An Excerpt from JACKIE AND MARIA
- Chapter 1
- Chapter 2
- P.S. Insights, Interviews & More . . .*
- About the Author
- About the Book
- Historical Afterword
- Sources
- The Love Lives of the Romanov Daughters
- Reading Group Questions
- Praise for The Lost Daughter
- By Gill Paul
- About the Publisher
During her lunch hour the following day, Val went to the university library and found the Russian history section, thinking that she might read about the Revolution and civil war that had forced her father to leave his homeland. She collected a stack of books and sat down to flick through them and decide which was most enticing. There were black-and-white photographs of the Romanov family in one, and she glanced at them, then stopped and flicked through the following pages: four girls and a boy, just as there appeared to be in her father’s photographs. What was more, the girls all wore white dresses. It had to be coincidence. All the same, she checked the book out of the library and took it home.
Holding her photographs against the book, Val realized with creeping amazement that they showed the Romanov family. The first girl she could identify for sure was Tatiana; she had a pixie face with a pronounced bone structure, matching that in one of the images exactly. Maria’s face was rounder and prettier, just like the girl in a soft, grainy shot. Alexei had a gaunt face and looked very frail. It appeared they had been photographed in the last house where they were held prisoner, the Ipatiev House: there was the high fence surrounding the yard. But how did her father come to have these pictures? And why was there one of him among them?
Ha Suran said he had been a factory worker. Val assumed cameras were expensive in 1918, and wondered how he could afford one. But after the Revolution, he had made his fortune selling the goods of aristocratic Russians who had fled from the Bolsheviks. She guessed he must have stolen this camera from the Romanovs and then taken photographs of himself and two of his friends on the same film. Why did he never process them? Did he forget they were there?
She looked once more at the images of these people who posed for the camera little suspecting that they were soon to be killed in that very house. Then again, given their haunted expressions, she wondered if perhaps they had an inkling.
She checked in her book but it didn’t show any images of the family in the Ipatiev House, where they had spent their final three months. It came to her with a shock that these might even be the last photographs of them alive.
Chapter 36
Sydney, October 1974