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Chapters (84)
  1. Cover
  2. Dedication
  3. The Lost Daughter
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Epilogue
  71. Acknowledgments
  72. An Excerpt from JACKIE AND MARIA
  73. Chapter 1
  74. Chapter 2
  75. P.S. Insights, Interviews & More . . .*
  76. About the Author
  77. About the Book
  78. Historical Afterword
  79. Sources
  80. The Love Lives of the Romanov Daughters
  81. Reading Group Questions
  82. Praise for The Lost Daughter
  83. By Gill Paul
  84. About the Publisher

GILL PAUL is an author of historical fiction, specializing in relatively recent history. She has written two novels about the last Russian royal family: The Secret Wife, published in 2016, which tells the story of cavalry officer Dmitri Malama and Grand Duchess Tatiana, the second daughter of Russia’s last Tsar; and The Lost Daughter, published in August 2019, the story of Grand Duchess Maria, Tsar Nicolas II’s third daughter.

Gill’s other novels include Another Woman’s Husband, about links you may not have been aware of between Wallis Simpson, later Duchess of Windsor, and Diana, Princess of Wales; Women and Children First, about a young steward who works on the Titanic; The Affair, set in Rome in 1961–62 as Elizabeth Taylor and Richard Burton fall in love while making Cleopatra; and No Place for a Lady, about two Victorian sisters who travel to the Crimean Peninsula during the war there in 1854–56 and face challenges beyond anything they could have imagined.

Gill also writes historical nonfiction. Her titles include A History of Medicine in 50 Objects and the Love Stories series, which contains tales of real-life couples. Published around the world, the series includes Royal Love Stories, World War I Love Stories, and Titanic Love Stories.

Gill was born in Glasgow and grew up there, apart from an eventful year at school in the United States when she was ten. She studied medicine at Glasgow University, then English literature and history. (She was a student for a long time.)

She now lives in London, where as well as writing full-time, she swims year-round in an outdoor pond, complete with a heron, a variety of ducks, and a family of kingfishers. image

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About the Book

A Deleted Scene from The Lost Daughter

Ekaterinburg, June 19, 1918

ONE MORNING, just after the family’s scripture reading, Ivan Kharitonov, the cook, put his head around the door of the sitting room and said in a low voice, “Excuse me, Miss Maria. Might I have a word?”

She frowned. What could he want? Putting down her sketchbook, she rose and followed him out to the passageway that led to the kitchen.

He looked over his shoulder before fishing an envelope from the pocket of his white chef’s apron. “This came an hour ago. It was in the wooden box in which the nuns deliver our food, hidden beneath the butter.”

Maria took the rather dog-eared envelope and saw her name written in English on the outside, along with the words Strictly private and personal. How very odd!

“Thank you, Ivan.” She smiled. “I appreciate your discretion.”

She considered taking it back into the sitting room, but then she would have to pass it around for all to read. Since she had no idea who could have written it or what it might say, she decided to open it on her own in the girls’ bedroom.