Chapters (84)
- Cover
- Dedication
- The Lost Daughter
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Epilogue
- Acknowledgments
- An Excerpt from JACKIE AND MARIA
- Chapter 1
- Chapter 2
- P.S. Insights, Interviews & More . . .*
- About the Author
- About the Book
- Historical Afterword
- Sources
- The Love Lives of the Romanov Daughters
- Reading Group Questions
- Praise for The Lost Daughter
- By Gill Paul
- About the Publisher
Val went back to the first five pictures and looked at them again. It was like a jigsaw puzzle, with different parts clear in each shot. Two slender figures posing against a tall fence. The exterior of a white-painted house. Girls in white dresses. Here and there she could make out shoulder-length hair, a round face, a high-necked blouse, and she got the impression the girls were pretty. Were they her father’s sisters, and therefore her aunts? Were any of them still alive? None of the figures she could make out resembled either her father or her mother, and that was disappointing.
“I’m sorry they’re not clearer,” Alan said, “but this is pretty good for film that’s over fifty years old.”
“It’s better than I expected,” Val said, biting her lip. “I wonder if I might have copies of the prints?”
“Of course,” he said, straightaway. “I made a set of six-by-fours, and you can take the enlarged ones as well if you like.”
“Are you sure I can’t pay you anything?”
“Wouldn’t dream of it,” he said. “I love a challenge.”
When Val got home, she flicked through the prints again but couldn’t make out any more than she had in the darkroom. She got a creepy feeling from them, and decided to hide them on the shelf behind her dressing table, where Tony wouldn’t find them. It was a safe bet he wouldn’t approve.
Chapter 12
Sydney, January 1974
TWO MONTHS AFTER VAL’S FATHER’S DEATH, HIS HOUSE was empty, the rooms looking huge without furniture, the wallpaper marked with ghostly rectangles where pictures used to hang. As soon as Tony put it on the market, it was snapped up by a property developer with plans to renovate and extend it, adding a pool out back. Val was relieved she no longer had to make the daily commute to Bondi, but still her depression wouldn’t shift.
“Maybe you should go to the doctor and get a prescription for Valium,” Peggy suggested over cream soda drinks in her yard, while Nicole played with her son, Lenny, in their sandbox. “A mate of mine, Lynette, says it worked for her.”
Val screwed up her nose. “I don’t like the idea of taking pills. Tony says it’s mind over matter and I should be able to snap out of it.”
Peggy snorted, expressing her opinion of Tony. “Maybe if he gave you a bit more support . . . or took you out for dinner some night instead of expecting a slap-up meal on the table . . . Mind over matter indeed!”