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Chapters (84)
  1. Cover
  2. Dedication
  3. The Lost Daughter
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Epilogue
  71. Acknowledgments
  72. An Excerpt from JACKIE AND MARIA
  73. Chapter 1
  74. Chapter 2
  75. P.S. Insights, Interviews & More . . .*
  76. About the Author
  77. About the Book
  78. Historical Afterword
  79. Sources
  80. The Love Lives of the Romanov Daughters
  81. Reading Group Questions
  82. Praise for The Lost Daughter
  83. By Gill Paul
  84. About the Publisher

Val went back to the first five pictures and looked at them again. It was like a jigsaw puzzle, with different parts clear in each shot. Two slender figures posing against a tall fence. The exterior of a white-painted house. Girls in white dresses. Here and there she could make out shoulder-length hair, a round face, a high-necked blouse, and she got the impression the girls were pretty. Were they her father’s sisters, and therefore her aunts? Were any of them still alive? None of the figures she could make out resembled either her father or her mother, and that was disappointing.

“I’m sorry they’re not clearer,” Alan said, “but this is pretty good for film that’s over fifty years old.”

“It’s better than I expected,” Val said, biting her lip. “I wonder if I might have copies of the prints?”

“Of course,” he said, straightaway. “I made a set of six-by-fours, and you can take the enlarged ones as well if you like.”

“Are you sure I can’t pay you anything?”

“Wouldn’t dream of it,” he said. “I love a challenge.”

When Val got home, she flicked through the prints again but couldn’t make out any more than she had in the darkroom. She got a creepy feeling from them, and decided to hide them on the shelf behind her dressing table, where Tony wouldn’t find them. It was a safe bet he wouldn’t approve.

Chapter 12

Sydney, January 1974

TWO MONTHS AFTER VAL’S FATHER’S DEATH, HIS HOUSE was empty, the rooms looking huge without furniture, the wallpaper marked with ghostly rectangles where pictures used to hang. As soon as Tony put it on the market, it was snapped up by a property developer with plans to renovate and extend it, adding a pool out back. Val was relieved she no longer had to make the daily commute to Bondi, but still her depression wouldn’t shift.

“Maybe you should go to the doctor and get a prescription for Valium,” Peggy suggested over cream soda drinks in her yard, while Nicole played with her son, Lenny, in their sandbox. “A mate of mine, Lynette, says it worked for her.”

Val screwed up her nose. “I don’t like the idea of taking pills. Tony says it’s mind over matter and I should be able to snap out of it.”

Peggy snorted, expressing her opinion of Tony. “Maybe if he gave you a bit more support . . . or took you out for dinner some night instead of expecting a slap-up meal on the table . . . Mind over matter indeed!”