Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

At our age, this was a hard concept for Nora and me to grasp. We knew my mom’s aversion to foreignness didn’t signify an aversion to sex. On the contrary, Nora and I knew my mother was very selective about sex—she was very particular about it—but Little Ray wasn’t averse to it. Maybe her aversion to foreignness was more American than sexual, because my mom was decidedly a sexual outlier. Little Ray and Nora struck me as very comfortable in the outlier role.

Once, when I struggled to say all this to Nora, it came out a little tortured. “The first foreign-language films I saw made me like reading a movie,” I told Nora. “They made me love all movies with subtitles. Having to read those films made me feel I was writing them, or that I could write movies. It was as if foreign films were made for me,” was the way I said it to Nora, who was unimpressed.

Nora shrugged. “That’s just who you are, Adam,” my older cousin said. “There’s a foreignness inside you—beginning with where you come from. The foreignness is in you—that’s just who you are. You and me and Ray—we’re outliers.”

Outliers like going to the movies—we can see in the dark. Outliers are looking for other outliers. If you see an outlier on the screen, it’s exciting. If you can’t find one in the film, it’s exciting in another way. When you leave the theater, you’re even more of an outlier than you knew.

10. NOT TARZAN

Not only did I put off going to Aspen for the longest time, but I almost waited too long. Whatever man my mother met in Aspen in 1941 wasn’t the only mystery in the area of what happened (or didn’t) between my mom and men. Exactly what transpired between my mother and a different man would remain vague, but he became somewhat famous—both famous and infamous—and, at least for a while, everyone knew his name.

An American actor, Lex Barker was best known in North America for playing Tarzan of the Apes. In five years, between 1949 and 1953, Lex Barker starred in five Tarzan movies. Little Ray refused to see them. When I asked her why—I would have been eight—all she said was, “Tarzan is an ape, sweetie.”

Nora and I saw the first one (Tarzan’s Magic Fountain) together. By the time we saw the second one (Tarzan and the Slave Girl), Nora had heard the stories about Lex Barker and my mother. No one had told me anything.