Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

At the end of True Grit, Little Ray gave Nora and me a glimpse of her seemingly obdurate nationalism. Keep in mind that I was almost thirty and Nora was already in her mid-thirties. Nixon had been elected the year before, the same year as the My Lai massacre; both Martin Luther King Jr. and Bobby Kennedy had been killed; and the protests against the Vietnam War were rising. A year later, the Ohio National Guard would shoot and kill those college students at Kent State. Nora and I weren’t feeling particularly nationalistic.

“You see?” my mom said to Nora and me, in her little-girl way. We were among the moviegoers leaving the theater, at the conclusion of True Grit.

“See what, Ray?” Nora asked.

“John Wayne is old and fat, and he’s lost an eye,” my mother explained, “but he comes off better than he did in Ireland.”

“You don’t like Ireland, Ray?” Nora asked.

“I don’t think about Ireland one way or another,” my mom answered. “I have no desire to go there, or anywhere else that’s foreign. I like staying here, in America. So should John Wayne.” But I knew she loved Austria, home of the Arlberg technique.

“Ray doesn’t like anything foreign,” I explained to Nora. “Except for skiers,” I added. “Ray likes Toni Sailer and Toni Matt and Sepp Ruschp and Hannes Schneider—they’re foreign, but they’re Austrian. I guess foreignness in movies is another matter.” I paused. I looked at Little Ray, to see how she liked listening about herself in the third person, before I spoke to her. “You don’t like foreign films—in particular, the ones with subtitles—do you?” I asked my mother.

“I don’t go to the movies to read, sweetie,” my mom told me.

“You don’t like to read anything!” I pointed out to her.

“I have read and will read everything you write, Adam—everything you show me,” my mother told me, kissing my cheek.

“But, Ray, the movies with subtitles are the ones with good sex,” Nora said.

“I don’t go to the movies to get good sex!” my mom exclaimed; she laughed, kissing Nora on the cheek. Little Ray had to stand on her toes; she needed to put her arms around Nora’s neck to steady herself. On tiptoe, my mother was barely tall enough to kiss Nora’s cheek, and I’m guessing Nora bent down to help her. “My dear, dear Nora,” Little Ray said. “Not everything is about sex!”