Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

Outside, on the Yonge Street sidewalk, the young priest had disappeared—if he really was a priest, if we actually saw him. Em was annoyed that he’d taken her sign, whoever he was. I saw our reflection in a storefront window. I was wearing a pair of my Roots sweatpants, what I usually wrote in—we were just an old couple, still able to walk. Em saw us reflected in the window. “It’s a good thing we’re fiction writers, kiddo, or they might make us retire,” Em said.

Our reflections in the storefront window were transparent—we could see through each other. We knew we wouldn’t retire; writers can’t stop writing. But one of us would die first. I hoped it would be me—my head on my desk, in the middle of a sentence Em would finish for me. She knew me well enough. I didn’t want to find Em with her head on her desk. I couldn’t imagine finishing Em’s last sentence. There are no mountains to climb in Toronto—no last chairlifts for Em and me, only last sentences.

What do we want most when we’re children, and crave more when we’re old? Consistency is what counts the most. We want the people we love to be consistent, to stay the same—don’t we? I can’t really tell Em what I feel about my mom, because Em has no reason to love her awful mother—nor should she. We’re alone in the way we love our mothers, or in the way we don’t.

When I see Little Ray on the subway, when she and the snowshoer are just fooling around, I miss her when she was even younger than that—before she met Molly or the snowshoer, when I was a child and I was already learning to miss her. Now that my mom is gone, I miss what was constant about her—or the most constant thing about her. When I was a child, my missing her was the most constant thing in my life. You are never over your childhood, not until you are under the train—unter dem Zug.

The older I get, this is what I remember best about my mother. I’d told her I didn’t like the dark. Kids generally don’t like the dark, do they? I said I didn’t like the dark, or words to that effect.

“Hug the dark, sweetie, and the dark will hug you back,” my mom said. “But the dark has other dates to make, sweetie—if you don’t hold her tight, she won’t wait around all night.”

“The dark is a she?” I asked her, but my mom was gone. Little Ray didn’t wait around. She just vanished, like a ghost.

I try not to think about the vanishing.

ACKNOWLEDGMENTS