Back The Last Chairlift

The Last Chairlift

John Irving
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

Cover

Cover: The Last Chairlift, by John Irving

John Irving

The Last Chairlift

Title Page

The Last Chairlift, by John Irving, UK Adult

Dedication

For Dean Cooke

Epigraph

If I must die,

I will encounter darkness as a bride,

And hug it in mine arms.

—WILLIAM SHAKESPEARE, Measure for Measure

ACT I EARLY SIGNS

1. AN UNMADE MOVIE

My mother named me Adam, like you-know-who. She always said I was her one and only. I’ve changed some names, but not mine, and not the name of the hotel. The Hotel Jerome is real—it’s a great hotel. If you ever go to Aspen, you should stay there, if you can afford it. But if anything happens to you along the lines of what happened to me, you should leave. Don’t blame the Jerome.

Yes, there are ghosts. No, I don’t mean those ghosts you may have heard were haunting the Jerome: the unregistered guest in Room 310, a drowned ten-year-old boy, shivering with cold and quickly disappearing, leaving only his wet footprints behind; the lovelorn silver miner, whose late-night sobbing has been heard while his apparition roams the halls; the pretty hotel maid who fell through the ice in a nearby pond and (notwithstanding that she died of pneumonia) occasionally appears just to turn down the beds. They aren’t the ghosts I usually see. I’m not saying they don’t exist, but I’ve scarcely seen them. Not every ghost is seen by everyone.

My ghosts are vivid to me—they’re very real. Some of their names have been changed, but I haven’t changed a single essential thing about the ghosts.

I can see ghosts, but not everyone can see them. As for the ghosts themselves, what happened to them? I mean, what made them ghosts? Not everyone who dies becomes a ghost.

This gets complicated, because I know that not all ghosts are dead. In certain cases, you can be a ghost and still be half-alive—only a significant part of you has died. I wonder how many of these half-alive ghosts are aware of what has died in them, and—dead or alive—if there are rules for ghosts.

“My life could be a movie,” you hear people say, but what do they mean? Don’t they mean their lives are too incredible to be real—too unbelievably good or bad? “My life could be a movie” means you think movies are both less than realistic and more than you can expect from real life. “My life could be a movie” means you think your life has been special enough to get made as a movie; it means you think your life has been spectacularly blessed or cursed.