Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

From the matter-of-fact way my mom had reacted to recognizing the kid who got her pregnant with me, I believed that the sex had truly been no big deal to her. Knowing the kind of concentration my mother put into her single-leg lunges and her squats, I didn’t doubt that her having sex with Paul Goode must have been anticlimactic for her, if not for him. But, from the backseat of the dark car, I couldn’t see my mom’s face—only the back of her head and her hunched shoulders, as she repeatedly hit her forehead with the heel of her hand.

“What’s wrong, Ray—what’s the matter?” Nora and Em and I heard Molly ask her.

“He stole what I said—he took what I told him, and just gave it to the kindergarten teacher!” my mother said. She was really angry, almost in tears about it. “He was very insecure about being younger than me, and smaller than me—the kid kept asking me if he was big enough!” my mom cried. “I told him he wasn’t too small for me, I said he was just small enough, because I’d been hoping he had a small penis!” my mother cried. “Of course, he would never have understood that I chose him because I hoped he would be small.”

“It seems as if he understood you eventually, Ray,” Molly said softly.

“But that was my line, those were my words—what I told him,” my mother protested, her voice breaking. “Is that what you writers do, sweetie—you steal stuff that real people say?” my mom asked me. I could feel Em nodding her head against my shoulder; she was squeezing my hand harder.

“That’s definitely what Em does, Ray,” Nora told her.

“I do it sometimes,” I said to my mother.

“Well, if you ask me, I think that’s immoral,” my mom said. I didn’t know what to say. Em couldn’t squeeze my hand harder. “And what about those little urinals?” my mother asked. “I don’t think they had pint-size urinals for boys in kindergarten—the little urinals didn’t show up till elementary school.” Now no one knew what to say. Em’s hand was limp in mine. “In kindergarten—if you ask me, sweetie—you little boys just peed in the toilet,” my mom said.

If you ask me, we don’t know what’s anticlimactic, and what isn’t, until we get to the end of it.

34. OUR MARINE

In her first letter to me, only one thing Em wrote wasn’t exactly true—when she said, “I just don’t dare to make up everything, like you do.” I don’t make up everything, but when I use things that actually happened, I always change something; I try to make what happens not exactly true. Maybe that’s what Em meant.