Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
From the matter-of-fact way my mom had reacted to recognizing the kid who got her pregnant with me, I believed that the sex had truly been no big deal to her. Knowing the kind of concentration my mother put into her single-leg lunges and her squats, I didn’t doubt that her having sex with Paul Goode must have been anticlimactic for her, if not for him. But, from the backseat of the dark car, I couldn’t see my mom’s face—only the back of her head and her hunched shoulders, as she repeatedly hit her forehead with the heel of her hand.
“What’s wrong, Ray—what’s the matter?” Nora and Em and I heard Molly ask her.
“He stole what I said—he took what I told him, and just gave it to the kindergarten teacher!” my mother said. She was really angry, almost in tears about it. “He was very insecure about being younger than me, and smaller than me—the kid kept asking me if he was big enough!” my mom cried. “I told him he wasn’t too small for me, I said he was just small enough, because I’d been hoping he had a small penis!” my mother cried. “Of course, he would never have understood that I chose him because I hoped he would be small.”
“It seems as if he understood you eventually, Ray,” Molly said softly.
“But that was my line, those were my words—what I told him,” my mother protested, her voice breaking. “Is that what you writers do, sweetie—you steal stuff that real people say?” my mom asked me. I could feel Em nodding her head against my shoulder; she was squeezing my hand harder.
“That’s definitely what Em does, Ray,” Nora told her.
“I do it sometimes,” I said to my mother.
“Well, if you ask me, I think that’s immoral,” my mom said. I didn’t know what to say. Em couldn’t squeeze my hand harder. “And what about those little urinals?” my mother asked. “I don’t think they had pint-size urinals for boys in kindergarten—the little urinals didn’t show up till elementary school.” Now no one knew what to say. Em’s hand was limp in mine. “In kindergarten—if you ask me, sweetie—you little boys just peed in the toilet,” my mom said.
If you ask me, we don’t know what’s anticlimactic, and what isn’t, until we get to the end of it.
34. OUR MARINE
In her first letter to me, only one thing Em wrote wasn’t exactly true—when she said, “I just don’t dare to make up everything, like you do.” I don’t make up everything, but when I use things that actually happened, I always change something; I try to make what happens not exactly true. Maybe that’s what Em meant.