Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

50. EM AS ISHMAEL

I heard about the snowstorm in the Northeast at the Aspen airport. My Chicago connection would be canceled. To Albany, or to Hartford—it doesn’t matter that I don’t remember. I wasn’t going to get back to Vermont from Chicago—that was clear. I decided to fly from Denver to New York. I knew Em was at the snowshoer’s pied-à-terre on East Sixty-fourth Street. It was her apartment now.

I called Molly from the Denver airport. I thought the old ski patroller would know everything about the snowstorm, but she didn’t care about it. “It’s just snow, Kid. By the way, we’re done hearing from Jasmine,” she told me.

A nurse at a home for assisted living in New York had called Molly. (The nurse was calling all the numbers Jasmine called most frequently.) Jasmine had passed away peacefully in her sleep, the nurse wanted Molly to know. “I told the nurse I was sorry about the peacefully part,” the old patroller said.

I called Grace from Denver, too. Given the good bookstore in Manchester, Grace had already bought a new copy of My Father’s Dragon. Grace said she would read Matthew the last two chapters while I was in New York, waiting out the snowstorm in New England. Em had delivered her novel—“based on her life with Nora,” as Grace put it. I thought her life with Nora was a vague way for Em’s publisher to describe the novel. This meant Em and Grace couldn’t agree on a title, I was thinking. “Em sent two copies, one for you,” was all Grace would say.

I asked Grace what Em was calling her novel. “You’re seeing Em tonight—she’ll tell you. Maybe you can talk her out of it—Em won’t listen to me,” Grace said. I could tell Grace was done talking about it. I knew she’d rejected Two Dykes, One Who Talks as a title. I’d already imagined Grace’s grievances against the Dykes word.

Em told me Grace had suggested The Gallows Lounge Shooting as a title, but Em was opposed to a title with the “Gallows Lounge” in it. Em didn’t want her novel to sound like nonfiction, but a title with “Two Dykes” in it was unacceptable to Grace. What I could sense—long-distance, in the Denver airport—didn’t bode well for peacefully resolving what to call the novel.