Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS

Most of the musicals in the 1950s and 1960s were safe for children. I remember seeing Singin’ in the Rain with my mother, mainly because I recall her saying she would have liked to teach Debbie Reynolds how to ski. I was about ten. I was confused by my mom’s remark, because there was no skiing (only singing and dancing) in the movie.

“Debbie may not be a very experienced dancer,” my mother explained, “but I can tell she’s a good athlete—that’s all I mean.” My mom liked Gene Kelly, too.

“Because he’s handsome?” I asked her.

“Because he can dance!” Little Ray exclaimed. “He’s handsome enough, sweetie, but not the kind of handsome you’re going to be.” (Not small enough, I guessed.)

The year before, my mother and I had seen An American in Paris together. “I think you look a little like Leslie Caron,” I told my mom.

“I don’t, sweetie!” she exclaimed, kissing me. “But thank you.”

I saw other musicals in the 1950s and 1960s—I don’t remember with whom. Brigadoon, Carousel, Oklahoma! I didn’t see these fifties musicals with a date. I was too young or out of it to go with a date. West Side Story was later, in 1961. I was nineteen—I might have had a date, but I don’t remember taking anyone to see that movie.

“You could’ve been with one of your unfortunate girlfriends—you know, one of the early ones,” Nora reminded me. “On second thought, not the overweight one—she wouldn’t have fit in a theater seat,” Nora went on. “Didn’t Sally get stuck in a shower? Nana told me the shower door had to be removed to get her out.”

“I didn’t take Sally to West Side Story,” I said.

“I can’t see the clubfooted one having much fun at a musical—poor Rose wouldn’t have enjoyed the dancing,” Nora said.

“Rose wasn’t clubfooted—she just limped, and she was prone to muscle spasms,” I said.

“Rose had more like a lurch than a limp, as I remember it,” Nora pointed out. “She fell down the attic stairs, didn’t she?” I just nodded. Nora moved on—to Caroline, who was very strong. Caroline had injured her knee playing field hockey; when we dated, she was on crutches. I’m sure I never took Caroline to a movie theater. She was broad-shouldered and very tall, and her crutches were very long; something awkward would have happened.

Nora moved on to Maud, who was also very tall—a tall and thin cross-country runner. Maud had fallen and broken her arm; her arm was in a cast when we were going out. I knew my mother had told Nora about Maud. My mom referred to Maud as “the virgin.” Maud and I had remained friends.