Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
“I’m supposed to be a second lieutenant—I’m the one who’s supposed to take care of my platoon,” Zimmer said, with some difficulty.
I could see it surprised him when Molly kissed him on the lips and crushed him in her arms. “Try to take care of yourself, too,” the trail groomer told him.
“I’m not saying ‘goodbye’ to you, Zim—I’m going to hug you and kiss you like crazy when you come back!” my mother called to him, from her bedroom. The door was still closed.
“Okay!” Zimmer called to her. I could see he was a little shaken; he didn’t know what else to say.
“No, it’s not okay—it’ll never be okay!” my mom was wailing. “You’re just a boy, you’re a little boy! You’re still growing, Zim!” my mother screamed; then we could hear her sobbing.
To watch Matthew Zimmermann put his few things in the car was a lesson in inessential deliberation. It took him forever to drive away; Zim must have done a dozen single-leg lunges in the driveway before he finally got in the driver’s seat. Molly and I were crying as we watched him out the kitchen window.
“You’ll never guess where I hid the shotgun,” I started to say to Molly, but she stopped me. The ski patroller grabbed my throat, in her big hands—choking me.
“Don’t tell me where the twenty-gauge is, Kid,” Molly told me. “If you tell me now, I might have enough time to load it and shoot him.”
29. THE GOOD SHEPHERD
Your first loss of a loved one, the first death of someone dear to you—when it happens, the pace of everything changes. In the past, there were times when nothing seemed to be happening. When you lose someone, you’re aware of the earth’s motion; the world is always moving, always ahead of you. For the rest of your life, you know there are other deaths coming—one after another, yours included.