Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

“Tarzan went to Exeter, Adam,” Nora informed me. “You weren’t born, I would have been a toddler, and Henrik was still shitting in his diapers. Tarzan was three years older than your mom. When Ray was thirteen and fourteen, Tarzan was sixteen and seventeen,” Nora said. “You can imagine how my mother and Aunt Martha would have found it ‘completely inappropriate’—namely, that this big gorilla was hitting on Little Ray.”

“How did Tarzan get into Exeter?” I asked Nora.

“The actor, Adam—not the half-naked man swinging on vines, or fooling around with Jane and that chimpanzee. Lex Barker, the actor, went to Exeter—before he was Tarzan,” Nora explained. I must have looked lost. I was eight; the concept of Tarzan hitting on my mom surely went over my head. “I don’t mean they dated, Adam—you know, they never went out. I don’t know if they ever spoke to each other,” Nora said. “But something happened. Maybe Tarzan gave Ray a funny look—he gave her the once-over, in an unwelcome way—or he creeped her out with a certain kind of smile.”

Naturally, I was imagining that Tarzan gave my mother one of his ape calls, or he beat his bare chest. Nora always knew what I was thinking. “Adam: Tarzan wouldn’t have been wearing just the loincloth, not at Exeter,” Nora assured me. “I’m almost certain he had his shirt on when this happened, whatever it was—if anything actually happened. Something about the guy just freaked out your mom. Or the big ape did something that my dumb-fuck mother and Aunt Martha saw, and they were freaked out—probably because they could see that Tarzan had the hots for Ray.”

I could imagine that happening, of course. In the area of appropriateness or suitability, it didn’t take much to freak out Aunt Abigail and Aunt Martha. For example, Nora was away at school when Lex Barker’s third and fourth Tarzan movies—Tarzan’s Peril and Tarzan’s Savage Fury—came out. I was nine and ten when those two Tarzan films were playing at the Ioka. Aunt Abigail and Aunt Martha insisted on seeing them with me; they didn’t think it was suitable for me to see them alone. Henrik came along, too. In those years, Henrik was thirteen and fourteen. With his mother and Aunt Abigail sitting between us, Henrik couldn’t reach around them to punch me in the arm or snap my ear with his fingers, which he was fond of doing.

I remember very little of the two movies. I was distracted by Aunt Abigail and Aunt Martha; they were in their forties, at least a decade older than Lex Barker, and their moral outrage was palpable. Their clenched fists, their heavy breathing, the looks that flashed between them—especially when Tarzan was socializing with Cheetah, the chimp, or cozying up to Jane.