Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

“According to Moses, ‘The woman shall not wear that which pertaineth unto a man, neither shall a man put on a woman’s garment: for all that do so are abomination unto the LORD thy God.’ Well, thank goodness, that couldn’t be more clear!” the little English teacher declared. “Whoever Moses was, he was a much better writer than the tentative soul who is writing the ‘Police Report.’ ”

“So you’ve been seen, you’ve been recognized—so somebody knows,” I said to him.

The snowshoer shrugged. “Or someone has heard something,” Elliot said, sighing. “My dear Adam, you have to stop worrying—you worry too much.”

I held up the handwritten note. “This doesn’t look like a kid wrote it,” I told him.

“I’ll tell you who knows,” the snowshoer suddenly said. “The fish deliveryman definitely knows I don’t have any boobs—he was groping all around for them! Does the note smell like fish?” Mr. Barlow asked me. I sniffed it—it didn’t smell like fish.

“You’ve got to be more careful—you promised,” I reminded him.

“I promise, my dear Adam,” the little English teacher told me. “But it’s not always clear what you need to be afraid of.”

I would remember that, if not Deuteronomy 22:5—I would, in fact, make an effort to forget the judgmental Moses. But New Hampshire is Puritan territory. In a country of sexual intolerance, there’s more than one Moses around.

26. THE GETAWAY DRIVER

I was still a student at Exeter when Nora told me I had to see The Wrong Car. She and Em saw it somewhere—at a noir festival, Nora said. Nora didn’t like gangster movies any better than I did, but she shared Susan Barlow’s opinion that the getaway driver was really handsome—small, but handsome. “I think he looks a lot like our Elliot,” Mrs. Barlow had said.

“Well, he’s not that small, darling,” Mr. Barlow had replied.

“He’s that handsome,” Susan Barlow had insisted.

“He’s handsome, all right,” Nora said to me, while Em did weird things with her eyes. Em was batting her eyelashes and pointing to my eyes; then she stood so close to me that I could feel her eyelashes flutter against my cheek. “This little actor, Paul Goode, is a dead ringer for you, kiddo,” Nora told me. “He doesn’t look a lot like the snowshoer.”

Em’s pantomime was pretty clear. “The getaway driver has my eyes?” I asked her. Em nodded, her hands on an imaginary steering wheel, driving purposely into an ambush.

“It’s not only that your mother thinks this actor looks like you,” I reported to the snowshoer. “Nora and Em think he looks like me.”