Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
“It should have been Helen, my first time,” Maud suddenly said. “I was thinking it should be her—I was wishing it was her—while I knew it was you, Adam,” Maud told me. I kept still.
“You should let Helen know how you feel, Maud,” Molly said softly.
“Is Helen still alive?” my mother asked. “She didn’t die?”
“That was the Helen in Jane Eyre, Ray—she’s the Helen who died,” Molly explained.
“Fucking books!” Little Ray exclaimed. “You should definitely let the Helen who’s alive know how you feel, Maud—maybe after you get your cast off.”
“I know,” Maud said, sounding subdued. “You’re my friend for life, if you want to be, Adam,” she told me. “There are worse ways to have sex the first time, you know.”
“He knows,” Molly told her.
“There are worse ways,” I agreed. “Friends for life, if you want to be,” I said to Maud. She wasn’t the right girlfriend for me, clearly, but the older you get, your friends for life mean more to you than the girlfriends or the boyfriends. In the passage of time, Maud and I would retain the awkwardness of the awkward age we were when we met, but we would stay friends. I would go on loving the tall runner with her arm in a cast, in an entirely Jane Eyre kind of way.
21. IN CONTROL
I developed a preternatural interest in what passed for physical affection or intimacy between my mother and the snowshoer. I was pulling for them, from the start. Whatever was between them, I wanted it to work—regardless of what was between my mom and Molly. I wasn’t privy to the conversations my mom and Elliot must have had. I didn’t know what choices were available to them in the area of Exeter faculty housing.
Mr. Barlow was obligated to do dorm duty. He’d been living in a bachelor faculty apartment in Bancroft Hall—or was it Webster? I can’t remember. The newlyweds and I would move into a two-bedroom faculty apartment on the second floor of Amen Hall. Amen was not a dorm devoted to prayer; it was named for Harlan Page Amen—for eighteen years, an actual and distinguished principal of Exeter. Unlike the diaper man, Principal Amen didn’t retire—in 1913, he died on the job. A far cry from the infant emeritus, electrocuted in a lightning storm while making music on a barbecue with croquet wickets—struck down while imagining his youngest daughter had married one of her illegitimate children.