Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

Our sleeping arrangements in Amen Hall would not escape scrutiny. I’ll bet my mother and the little English teacher took my aunts’ sexual surveillance into consideration. Our two bedrooms in Amen were similar in size and configuration. Each had a queen-size bed and an adjoining bathroom—one with a shower, one with a tub. My mom insisted on my having the bathroom with the shower. “No boy your age takes baths,” she told me. I was fourteen, not likely to drown in a bathtub. To Aunt Abigail and Aunt Martha, Little Ray made a different point. “Elliot and I are so small,” she told them, “we can fit together in the tub.”

Yes, those two could have fit together in that bathtub—this is true. Did they purposely let me hear them splashing and fooling around in the tub together, or were they only pretending to fool around? There was no denying their physical affection for each other. Everywhere they went, they held hands. Anywhere there was a couch, they would curl up together on it.

In our faculty apartment, the kitchen and the dining room (or the living room) was one room—not a big one. I guess we were supposed to choose which room we wanted to have, either a dining room or a living room. We chose both, or neither. There was one couch and one comfy chair. They faced the TV, which was always on with the sound off. There was a table between the kitchen and the end of the room designated for silent television watching. We called it our kitchen table.

In the evenings, the snowshoer lay reading on the couch—his head in my mom’s lap, where she played with his hair. She watched old movies with the sound off, her lips sometimes in sync with the remembered dialogue. If they were movies she hadn’t seen or didn’t remember seeing, she said she preferred to guess what the characters were saying—she believed this was better than hearing their actual dialogue. She watched TV Westerns with the sound off, too. “You don’t need to know what they’re saying in Westerns,” my mother said. Given Gunsmoke, Cheyenne, and The Life and Legend of Wyatt Earp, I don’t doubt that this was true.