Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

Besides, Maud was all wound up—she was the one with a lot to say. While Molly painted over the bloodstains on Maud’s cast, Maud gave us the Jane Eyre version of her sexual awakening—a first-person narrative of intense psychological consciousness. “I actually like sex, more than I thought I would—more than I thought I would with a boy, anyway,” Maud began. “As I told Adam, I was dreading doing it the first time, but I really, really liked it!” Maud exclaimed. I nodded, but this interfered with my mom’s iodine applications—or whatever antiseptic she was using on my ears and face.

“Hold still, sweetie,” my mother said.

“But, at the same time,” Maud went on in her intimate, stream-of-consciousness fashion, “I had very contradictory feelings—at the same time I was liking it, you know?”

“I know,” I said, trying not to move my head, but I must have nodded a little.

“We know,” Molly said, more softly.

“You’re moving, sweetie,” my mom told me.

“I don’t really like to lose control—I really, really don’t like it!” Maud declared.

“That’s a potential contradiction, all right,” Molly told her.

“Losing control kind of goes with the territory of liking sex,” my mother said as nicely as possible.

“That’s exactly what I mean!” Maud shouted, both her long arms flying up from the table. With her good arm, Maud almost spilled the can of white paint; she hit Molly in the chin with her bloodstained cast. “Sorry!” Maud said to Molly. “You won’t tell anyone what happened, will you?” Maud asked me. Naturally, I shook my head.

“Hold still!” my mom shouted. There was a moment of industrious silence, while my mother was bandaging my wounds and Molly was painting over the blood on Maud’s cast.

“Now it itches like crazy where I can’t scratch it!” Maud suddenly cried out. A look of uncomprehending horror must have crossed my unmoving face. Little Ray and Molly exchanged an inquiring glance. “I mean my arm, under the cast—where I can’t get to it,” Maud explained. “Maybe if I had a long knife—or one of those skewers you use to put shrimp on the barbecue, you know,” Maud said distractedly.

“No, no, no!” my mom cried. “Don’t you dare stick anything sharp under your cast—just don’t!” my mother said. Now that I understood what itched, I must have violently shaken my head. “Hold still!” my mom cried.

“I’ve had casts, you know, Maud—they itch,” Molly told her. “You just wait till they take them off. Then you can go nuts scratching yourself,” Molly said. We all sat at the kitchen table, considering that to go nuts scratching herself might never be a safe activity for Maud.

“On second thought, Maud,” my mom said, “start out scratching yourself slowly.”