Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

My grandmother was a tireless Moby-Dick reader, but I interrupted her, I asked a hundred questions, I was interested in all the wrong things—such as whale vomit, or what makes whales sick in the first place. Chapter 92, the “Ambergris” chapter, raises a lot of gastrointestinal questions. Highly valued by perfumers, ambergris is (in Melville’s words) “an essence found in the inglorious bowels of a sick whale!” It is produced only by sperm whales. I made my grandmother explain what would happen to a mass of ambergris that was too large to pass through the whale’s intestines. Nana took pains to tell me that such a large mass of ambergris would have to be vomited by the whale. Ambergris can float for years, before washing ashore. Lumps have been found weighing as much as fifty kilograms—imagine 110 pounds of whale vomit! This is the kind of thing that distracted me from what was important in Moby-Dick. My interest in whale puke drove my grandmother crazy.

But Nana and I understood one thing. We loved Queequeg, the cannibal harpooner. We were thrilled that he was heavily tattooed, and that he traveled with a shrunken head. We were excited that Queequeg wasn’t a Christian, because this meant he was capable of doing anything. Whatever came into Queequeg’s head, he might do it. He might even eat you. The savage from the South Seas was the opposite of an uptight, white New Englander. Nana and I knew what they were like.

Years later, when I read Moby-Dick to myself, I kept a close eye on Queequeg. My grandmother was right. If you pay attention to Queequeg, the cannibal harpooner, you will appreciate Moby-Dick. No amount of whale vomit will turn you against what D. H. Lawrence called “one of the strangest and most wonderful books in the world.”

Not being a Christian has a marvelous effect on Queequeg. One day, Queequeg has a fever. He decides he’s going to die. Queequeg is right, but it’s not the fever that’s going to kill him, and he’s not the only one onboard the Pequod who’s going to die. Queequeg asks the ship’s carpenter to make a coffin. Queequeg even lies down in his coffin, to be sure he fits. But Queequeg’s fever goes away, and he uses the coffin for his clothes. This is not extraneous detail! Not long later, a life buoy is lost overboard. Queequeg hints that his coffin would work as a life buoy—he is a practical cannibal. The ship’s carpenter goes to work on the coffin, nailing down the lid, caulking the seams.

“Queequeg sees the world differently than his shipmates aboard the Pequod,” my grandmother explained. “Only someone like Queequeg would ask the ship’s carpenter for a coffin.”