Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

I somewhat struggled to make this part fit with Queequeg’s not being a Christian. “Does Melville mean a Christian wouldn’t ask for a coffin while he’s still alive?” I asked my grandmother.

“The ones I know wouldn’t,” Nana answered me. “That’s more in keeping with what a cannibal would request, I think.”

Nana and I were a long way into Moby-Dick when we got to the moment when Captain Ahab comes on deck and makes whimsical remarks (mostly to himself) about the suitability of putting a coffin to use as a life buoy.

Dedicated lit student that she was, my grandmother often interrupted herself when she was reading aloud to me; she wanted to be sure I had noticed certain things. In the chapter where Ahab is musing to himself on the meaning of a coffin as a life buoy, Nana stopped reading to me and remarked: “I hope you noticed, Adam, that this is the same ship’s carpenter who made Ahab’s prosthetic leg.”

“I noticed, Nana,” I assured her.

Moby-Dick is a story about a seemingly unkillable whale. It’s also a story about absolute authority—a man who won’t listen to anyone. The captain of the Pequod, Ahab, is obsessed with killing Moby Dick. The white whale is responsible for Ahab’s losing a leg. Nana and I knew that Ahab should just get over it. Ahab refuses to assist the captain and crew of the Rachel, another whaling ship. The Rachel has encountered Moby Dick; the Rachel has lost a whaleboat with all its crew. Won’t Ahab help the Rachel search for its missing sailors? The son of the Rachel’s captain is among them. No, Ahab won’t help. Ahab only wants to find and kill Moby Dick.

We know what’s going to happen. Ahab finds what he’s looking for—the white whale kills him and sinks the Pequod. But wait a minute. There’s a first-person narrator. Ishmael is the storyteller. What can possibly save Ishmael? Did you forget that Queequeg’s coffin floats? It’s a good thing not everyone onboard was a Christian. Let this be a lesson to you: never take an ocean voyage without a tattooed cannibal.

“Do you see, dear?” Nana interrupted her reading to ask me. “It is Ahab’s refusal to help his fellow men at sea that dooms him—and all hands, but one, aboard the Pequod.”

“I see,” I said. How could I miss it? It took three years.

The white whale sinks the Pequod. Everyone, except Ishmael, drowns—“and the great shroud of the sea rolled on as it rolled five thousand years ago,” as Melville puts it. That’s pretty clear.