Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

“No one asks to be born,” I grew up hearing Mildred Brewster say—to which my audibly breathing aunts, Abigail and Martha, would roll their eyes and breathe more heavily.

“The poor-Rachel routine,” Aunt Abigail labeled it.

“Here comes the whaling ship,” Aunt Martha would whisper in my ear, “just when we were hoping it had sailed beyond the horizon.” But I loved listening to Nana’s story about my mother’s name. Mildred Brewster had studied English and American literature at Mount Holyoke, a Massachusetts liberal arts college for women; her favorite novel was Moby-Dick, the reason my mom was named Rachel.

Nana’s copy of the novel was always on the table beside her reading chair. Even as a child, I noticed that Moby-Dick was a more constant presence than the Bible; my grandmother consulted the story of the white whale more than she turned to Jesus. “One day, dear, when you’re old enough, I’ll read this to you,” Nana told me, holding the huge book in both her hands. She didn’t wait for me to be old enough. I was ten when she started reading the novel aloud to me; I was twelve, almost thirteen, before she finished. It’s a slow novel, but the chapters are short. An ocean voyage goes slowly, except for the sinking.

“Keep your eye on the cannibal, dear—Queequeg is important,” Nana was always saying. “He’s not just any harpooner; Queequeg isn’t a Christian. He’s referred to as an ‘abominable savage’ for a reason—not only to get your attention. Queequeg travels with a shrunken head; he’s heavily tattooed. And there’s his coffin. Please don’t forget about Queequeg’s coffin!”

How could I forget a coffin? Listening to Moby-Dick made me anxious. I was relieved to discover that there was nothing abominable about Queequeg; Melville doesn’t even take him to task for not being a Christian. “For all his tattooings he was on the whole a clean, comely looking cannibal,” as Melville puts it. Listening to Moby-Dick—for close to three years—had a life-changing effect on me. It not only made me want to be a writer; according to my cousin Nora, it essentially shaped and screwed up the rest of my life.