Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
“No one asks to be born,” I grew up hearing Mildred Brewster say—to which my audibly breathing aunts, Abigail and Martha, would roll their eyes and breathe more heavily.
“The poor-Rachel routine,” Aunt Abigail labeled it.
“Here comes the whaling ship,” Aunt Martha would whisper in my ear, “just when we were hoping it had sailed beyond the horizon.” But I loved listening to Nana’s story about my mother’s name. Mildred Brewster had studied English and American literature at Mount Holyoke, a Massachusetts liberal arts college for women; her favorite novel was Moby-Dick, the reason my mom was named Rachel.
Nana’s copy of the novel was always on the table beside her reading chair. Even as a child, I noticed that Moby-Dick was a more constant presence than the Bible; my grandmother consulted the story of the white whale more than she turned to Jesus. “One day, dear, when you’re old enough, I’ll read this to you,” Nana told me, holding the huge book in both her hands. She didn’t wait for me to be old enough. I was ten when she started reading the novel aloud to me; I was twelve, almost thirteen, before she finished. It’s a slow novel, but the chapters are short. An ocean voyage goes slowly, except for the sinking.
“Keep your eye on the cannibal, dear—Queequeg is important,” Nana was always saying. “He’s not just any harpooner; Queequeg isn’t a Christian. He’s referred to as an ‘abominable savage’ for a reason—not only to get your attention. Queequeg travels with a shrunken head; he’s heavily tattooed. And there’s his coffin. Please don’t forget about Queequeg’s coffin!”
How could I forget a coffin? Listening to Moby-Dick made me anxious. I was relieved to discover that there was nothing abominable about Queequeg; Melville doesn’t even take him to task for not being a Christian. “For all his tattooings he was on the whole a clean, comely looking cannibal,” as Melville puts it. Listening to Moby-Dick—for close to three years—had a life-changing effect on me. It not only made me want to be a writer; according to my cousin Nora, it essentially shaped and screwed up the rest of my life.