Back The Best of Simple
Chapters (76)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Foreword: Who Is Simple?
  5. Feet Live Their Own Life
  6. Landladies
  7. Simple Prays A Prayer
  8. Conversation on the Corner
  9. Simple on Indian Blood
  10. A Toast to Harlem
  11. Simple and His Sins
  12. Temptation
  13. Wooing the Muse
  14. Vacation
  15. Letting off Steam
  16. Jealousy
  17. Banquet in Honor
  18. A Veteran Falls
  19. High Bed
  20. Final Fear
  21. There Ought to be a Law
  22. Income Tax
  23. No Alternative
  24. Springtime
  25. Last Whipping
  26. Seeing Double
  27. Simple on Military Integration
  28. Blue Evening
  29. A Letter from Baltimore
  30. Seven Rings
  31. What Can a Man Say?
  32. Empty Room
  33. Picture for Her Dresser
  34. Cocktail Sip
  35. Apple Strudel
  36. Bop
  37. Formals and Funerals
  38. Fancy Free
  39. Midsummer Madness
  40. Morals Is Her Middle Name
  41. They Come and They Go
  42. A Million—and One
  43. Two Loving Arms
  44. All in the Family
  45. Kick for Punt
  46. Subway to Jamaica
  47. No Tea for the Fever
  48. Boys, Birds, and Bees
  49. On the Warpath
  50. A Hearty Amen
  51. Must Have a Seal
  52. Shadow of the Blues
  53. Once in a Wife-time
  54. Present for Joyce
  55. Christmas Song
  56. Tied in a Bow
  57. Sometimes I Wonder
  58. Four Rings
  59. Simply Love
  60. Bang-up Big End
  61. Duty Is Not Snooty
  62. Bones, Bombs, Chicken Necks
  63. A Dog Named Trilby
  64. Enter Cousin Minnie
  65. Radioactive Red Caps
  66. Two Sides Not Enough
  67. Puerto Ricans
  68. Minnie Again
  69. Vicious Circle
  70. Again Cousin Minnie
  71. Name in Print
  72. Minnie One More Time
  73. An Auto-Obituary
  74. Jazz, Jive, and Jam
  75. About the Author
  76. Newsletter Sign-up

“What’s come off between you and Joyce now?” I asked.

“She has upset me,” said Simple.

“How?”

“One night last week when we come out of the subway, it was sleeting too hard to walk and we could not get a cab for love nor money. So Joyce condescends to stop in the Whistle and Rest with me and have a beer. If I had known what was in there, I would of kept on to Paddy’s, where they don’t have nothing but a juke box.”

“What was in there?”

“A trio,” said Simple. “They was humming and strumming up a breeze with the bass just a-thumping, piano trilling, and electric guitar vibrating with every string overcharged. They was playing off-bop. Now, I do not care much for music, and Joyce does not care much for beer. So after I had done had from four to six and she had had two, I said, ‘Let’s go.’ Joyce said, ‘No, baby! I want to stay awhile more.’

“Now that were the first time I have ever heard Joyce say she wants to set in a bar.

“I said, ‘What ails you?’

“Joyce said, ‘I love his piano playing.’

“I said, ‘You sure it ain’t the piano player you love?’ He were a slickheaded cat that looked like a shmoo and had a part in his teeth.

“Joyce said, ‘Don’t insinuate.’

“I said, ‘Before you sin, you better wait. It looks like to me that piano player is eying you mighty hard. He’d best keep his eyes on them keys, else I will close one and black the other, also be-bop his chops.’

“Joyce says, ‘Huh! It is about time you got a little jealous of me, Jess. Sometimes I think you take me for granted. But I do like that man’s music.’

“‘Are you sure it’s his music you like?’ I says. ‘As flirtatious as you is this evening, your middle name ought to be Frisky.’

“‘Don’t put me in no class with Zarita,’ says Joyce right out of the clear skies. ‘I am no bar-stool hussy’—which kinder took me back because I did not know Joyce had any information about Zarita. A man can’t do nothing even once without Harlem and his brother knowing it. Somebody has been talking, or else Joyce is getting too well acquainted with some of my friends—like you.”

“I never mention your personal affairs to anyone,” I said, “least of all to Joyce, whom I scarcely know except through your introduction.”

“Well, anyhow,” said Simple, “I did not wish to argue. I says to her, ‘I ignore that remark.’

“Joyce says, ‘I ignore you.’ And turned her back to me and cupped her ear to the music.

“‘Don’t rile me, woman,’ I says. ‘Come out of here and lemme take you home. You know we have to work in the morning.’