The Best of Simple
Chapters (76)
- Title Page
- Copyright Notice
- Dedication
- Foreword: Who Is Simple?
- Feet Live Their Own Life
- Landladies
- Simple Prays A Prayer
- Conversation on the Corner
- Simple on Indian Blood
- A Toast to Harlem
- Simple and His Sins
- Temptation
- Wooing the Muse
- Vacation
- Letting off Steam
- Jealousy
- Banquet in Honor
- A Veteran Falls
- High Bed
- Final Fear
- There Ought to be a Law
- Income Tax
- No Alternative
- Springtime
- Last Whipping
- Seeing Double
- Simple on Military Integration
- Blue Evening
- A Letter from Baltimore
- Seven Rings
- What Can a Man Say?
- Empty Room
- Picture for Her Dresser
- Cocktail Sip
- Apple Strudel
- Bop
- Formals and Funerals
- Fancy Free
- Midsummer Madness
- Morals Is Her Middle Name
- They Come and They Go
- A Million—and One
- Two Loving Arms
- All in the Family
- Kick for Punt
- Subway to Jamaica
- No Tea for the Fever
- Boys, Birds, and Bees
- On the Warpath
- A Hearty Amen
- Must Have a Seal
- Shadow of the Blues
- Once in a Wife-time
- Present for Joyce
- Christmas Song
- Tied in a Bow
- Sometimes I Wonder
- Four Rings
- Simply Love
- Bang-up Big End
- Duty Is Not Snooty
- Bones, Bombs, Chicken Necks
- A Dog Named Trilby
- Enter Cousin Minnie
- Radioactive Red Caps
- Two Sides Not Enough
- Puerto Ricans
- Minnie Again
- Vicious Circle
- Again Cousin Minnie
- Name in Print
- Minnie One More Time
- An Auto-Obituary
- Jazz, Jive, and Jam
- About the Author
- Newsletter Sign-up
Title Page
Copyright Notice
The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy.
Dedication
TO MELVIN STEWART
Broadway’s genial
Simple
Foreword: Who Is Simple?
Foreword: Who Is Simple?
I CANNOT truthfully state, as some novelists do at the beginnings of their books, that these stories are about “nobody living or dead.” The facts are that these tales are about a great many people—although they are stories about no specific persons as such. But it is impossible to live in Harlem and not know at least a hundred Simples, fifty Joyces, twenty-five Zaritas, a number of Boyds, and several Cousin Minnies—or reasonable facsimilies thereof.
“Simple Speaks His Mind” had hardly been published when I walked into a Harlem cafe one night and the proprietor said, “Listen, I don’t know where you got that character, Jesse B. Semple, but I want you to meet one of my customers who is just like him.” He called to a fellow at the end of the bar. “Watch how he walks,” he said, “exactly like Simple. And I’ll bet he won’t be talking to you two minutes before he’ll tell you how long he’s been standing on his feet, and how much his bunions hurt—just like your book begins.”
The barman was right. Even as the customer approached, he cried, “Man, my feet hurt! If you want to see me, why don’t you come over here where I am? I stands on my feet all day.”
“And I stand on mine all night,” said the barman. Without me saying a word, a conversation began so much like the opening chapter in my book that even I was a bit amazed to see how nearly life can be like fiction—or vice versa.
Simple, as a character, originated during the war. His first words came directly out of the mouth of a young man who lived just down the block from me. One night I ran into him in a neighborhood bar and he said, “Come on back to the booth and meet my girl friend.” I did and he treated me to a beer. Not knowing much about the young man, I asked where he worked. He said, “In a war plant.”
I said, “What do you make?”
He said, “Cranks.”
I said, “What kind of cranks?”
He said, “Oh, man, I don’t know what kind of cranks.”
I said, “Well, do they crank cars, tanks, buses, planes or what?”
He said, “I don’t know what them cranks crank.”