Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

Gail walked me up three steps to a slightly elevated extension of the house and indicated a doorway on her left. “My garret away from my garret,” she said. “Where I sleep when I stay here on the weekends.” I entered a room painted a blanched yellow, the same color as the promised piano, a console model, the kind you knew from kindergarten. Adjacent to the keyboard was a drafting table with blank manuscript paper and a coffee can filled with twenty or thirty lethally sharpened pencils. A small bed looked the right size for Gail. I could picture her napping there. Several orange crates were lined up against the opposite wall.

“You better sit down,” Gail said. “It’s not that short a piece, and I intend to play it through twice for you. I want you to like it, and with music, familiarity breeds content.”

There was no chair in the room, other than the piano stool. “You want me to sit on the floor?” I asked.

“No, just sit on my bed, Ray, but take off your shoes first.”

I did so and sat myself at the foot of the bed, leaning forward attentively.

She protested, “No, you’re too close, it’s making me nervous. Stretch out.”

I dutifully wadded a few thin pillows behind the small of my back and lay there like a pasha on a divan, propped up on my right elbow.

She turned to face me, mock formal, posing with her right hand upon the cabinet of the piano. “It gives me now great pleasure, mingled with terror, to perform for your express enjoyment the original composition Swing Around the Sun, Opus Thirty-seven in D Major, composed by G. Prentice, circa 1940.”

I wondered if she’d really kept track of how many works she’d composed to arrive at Opus 37 and when she had started counting.

She dropped her tongue-in-cheek grand manner and added, “Hey, listen, Ray, all I ask is that if you really don’t like it and think it’s not for you, that you’ll lie to me, tell me it’s great, and do the arrangement anyway. Is that too much too ask?”

“Sounds eminently fair to me,” I replied. Who was I fooling? An albacore tuna in a net had more freedom of choice than I had at this point.

She walked over to the side of the bed. “Could we shake on it, Ray?” she asked. “It’ll be a lot less harrowing for me to play this for you if you tell me in advance that you’ll do it, no matter what you think. I mean, it did win the competition, so somebody thought it was good, right?”

“I’ll do the best I can for you.”

She reached out her hand. “So when you give me your critique, you’ll be gentle?”