Chapters (68)
- Cover Page
- Title Page
- Copyright Page
- Dedication
- Praise
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Acknowledgments
- About the Author
- Also by Rupert Holmes
- What’s next onyour reading list?
Gail walked me up three steps to a slightly elevated extension of the house and indicated a doorway on her left. “My garret away from my garret,” she said. “Where I sleep when I stay here on the weekends.” I entered a room painted a blanched yellow, the same color as the promised piano, a console model, the kind you knew from kindergarten. Adjacent to the keyboard was a drafting table with blank manuscript paper and a coffee can filled with twenty or thirty lethally sharpened pencils. A small bed looked the right size for Gail. I could picture her napping there. Several orange crates were lined up against the opposite wall.
“You better sit down,” Gail said. “It’s not that short a piece, and I intend to play it through twice for you. I want you to like it, and with music, familiarity breeds content.”
There was no chair in the room, other than the piano stool. “You want me to sit on the floor?” I asked.
“No, just sit on my bed, Ray, but take off your shoes first.”
I did so and sat myself at the foot of the bed, leaning forward attentively.
She protested, “No, you’re too close, it’s making me nervous. Stretch out.”
I dutifully wadded a few thin pillows behind the small of my back and lay there like a pasha on a divan, propped up on my right elbow.
She turned to face me, mock formal, posing with her right hand upon the cabinet of the piano. “It gives me now great pleasure, mingled with terror, to perform for your express enjoyment the original composition Swing Around the Sun, Opus Thirty-seven in D Major, composed by G. Prentice, circa 1940.”
I wondered if she’d really kept track of how many works she’d composed to arrive at Opus 37 and when she had started counting.
She dropped her tongue-in-cheek grand manner and added, “Hey, listen, Ray, all I ask is that if you really don’t like it and think it’s not for you, that you’ll lie to me, tell me it’s great, and do the arrangement anyway. Is that too much too ask?”
“Sounds eminently fair to me,” I replied. Who was I fooling? An albacore tuna in a net had more freedom of choice than I had at this point.
She walked over to the side of the bed. “Could we shake on it, Ray?” she asked. “It’ll be a lot less harrowing for me to play this for you if you tell me in advance that you’ll do it, no matter what you think. I mean, it did win the competition, so somebody thought it was good, right?”
“I’ll do the best I can for you.”
She reached out her hand. “So when you give me your critique, you’ll be gentle?”