Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

She’d grown up in the Avondale part of Cincinnati. Her mother had moved there from San Francisco to be near Gail’s uncle Joe, who’d come from Europe to teach composition at the music department of the nearby university. “The most wonderful man, Ray. Whatever love for music I have, he gave me. He taught me piano. Patient? If I didn’t want to practice and wanted to go to the movies instead, he’d say, ‘Today we’ll practice by going to the movies.’ He’d point out to me how film composers manipulated my emotions, especially in scary pictures.

“ ‘Where’s the music coming from?’ I’d ask him.

“ ‘Don’t worry,’ he’d say.

“ ‘But the music is scaring me,’ I’d tell him.

“ ‘No, no, dear one. It’s just people playing little notes on paper. Dots on paper.’ ”

It wasn’t until her uncle knew she’d be leaving Cincinnati to attend Berkeley that he decided to return to Europe to compose for some film studios there. The money being offered was excellent, and he’d left her a small trust fund that helped cover her room and board. She was rightfully proud that she had won a working scholarship at Berkeley, the work consisting of playing the carillon (which she adored) and accompanying voice majors at recitals (which she frequently loathed).

I gleaned that her mother doted on her a bit more than Gail liked. “She’s far too overprotective, moved out here just to be near me. It makes her crazy that I have a room of my own on campus. She thinks it’s a waste of hard-earned money, but I’d go loopy living under the same roof with her seven days a week. As it is, I feel obliged to spend my weekends in Chancery Lane, where she lives with Russ Hewett, just to keep her happy.”

“And who is Russ?” I asked her for the second time that day.

“Russ is . . . well, to be honest”—she lowered her voice—“it’s kind of sweet, I guess. He’s supposed to be a casual friend of my mother’s. They share a house along Fruitvale Creek. A really lovely place. The story is that she does housekeeping and cooking, he’s a bachelor and one of those fellows who’s great about building things on an elaborate scale but can’t take care of himself. I think everybody knows that she’s his girlfriend, although for propriety’s sake they never, ever behave romantically in public. I mean, you’d think my mother would at least admit it to me, but I suppose it’s—. She’s just this very self-contained woman.”

I asked her what Russ did for a living.