Chapters (68)
- Cover Page
- Title Page
- Copyright Page
- Dedication
- Praise
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Acknowledgments
- About the Author
- Also by Rupert Holmes
- What’s next onyour reading list?
Jerry Garden, alto sax, second chair, faced a similar dilemma. He refused to pay his wife alimony. This was not as unreasonable as it might sound, since his wife had run off with Jerry’s stepfather. Jerry took issue with the idea of paying alms to someone who had broken his nuts and his mother’s heart in one fell swoop. What made it worse was that Jerry wouldn’t have had to pay alimony if his ex-stepfather had married his ex-wife, but in his home state at that time, the law said you couldn’t marry the co-respondent who had caused your divorce.
There were papers out on Jerry, and Jerry knew that his wife would have no problem tracking down the Glenn Miller or Jimmy Dorsey bands (both of whom had made Jerry offers to play on the East Coast). But to locate Jack Donovan’s orchestra while it toured the Great Plains, send a process server out there to hunt Jerry down, and extradite him before the band had moved on to another state would have been a major undertaking and expense for his ex-wife. Jerry considered it a matter of principle not to pay her, and he stood on his principles by sitting second chair in our band.
Billy French’s story was the darkest of the three.
Late one foggy night, Billy was driving home from a job at Jack Christie’s club on Fifty-second Street in Manhattan. There was a kid working in the kitchen there who, like Billy, lived in Queens and, exhausted after working two shifts, decided to save himself the effort of pedaling home on his bike. So he did what kids have been known to do. He took some twine and tied the steering post of his bike to the rear bumper of Billy’s car, leaving himself about eight feet of slack, and waited in the dark for Billy to drive home along the empty city streets.