Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

“No, I’m pretty free and clear, although I was counting on Ada to sub for me in a pinch and now I don’t think I can rely on her.” She frowned. “I’m sure she’s trying to show her disdain for me and the Exposition simply because my composition beat out hers. She’s an aspiring composer, like me, only very, um . . .” Gail searched carefully for the right word. “Traditional.” I could tell she meant this to be a synonym for “boring.”

I made what I misguidedly thought was a joke. “Did she call her composition Suite Adeline?”

She shook her head, vigorously. “No, listen, if you meet her— and I’m sure you will—do not so much as whistle the tune of ‘Sweet Adeline,’ and don’t call her Addy, either. She’s Adeline or Ada or you face her wrath, which is a fearsome thing.” A small shudder caused Gail’s hair to ripple.

The street now seemed to be populated only by couples, and we were all casting long shadows across the square. I realized I’d soon have to start thinking about getting back to the Claremont.

We’d arrived at the Campus, in whose vestibule was a phone booth. She fumbled through her bag. “Do you have any change? I seem to be fresh out.”

I found a lone nickel in my pocket, which she dropped into the coin slot. It made a most satisfying ting. I was continuing to be impressed with Gail’s way with bells.

She dialed Information and asked, “Hello, operator? Could I please have the number of a Miss Adeline Head?” As Gail waited, she produced an eyebrow pencil from her bag. “You don’t? Oh, wait, you’re looking in Alameda County, she’s in San Francisco. Do you handle that too? She’s on Larkin Street—oh, and her first name might be listed as Ada or just the letter A . . .” She turned to me. “You have anything to write on, Ray?”

I gave her the paper wrapper from a stick of the gum I’d bought. Gail licked the pencil’s tip, tossed me a mischievous glance that instantly embarrassed her (and that I wasn’t going to forget for a long time), and scribbled a number on the inside of the wrapper. She thanked the operator, who hit whatever it is operators hit on their end of a connection that makes a coin telephone regurgitate a nickel. Gail retrieved the coin and, flipping the handset’s cradle, dropped the nickel into the slot once again and dialed the phone number.

“Hi Ada, it’s Gail,” she began, her expression immediately darkening. “Look, a friend of mine was at Treasure Island today and he said you didn’t show up. Did you think—?” Her shoulders dipped a little in acknowledgment. “Okay, but then why didn’t—?” Gail went silent and listened thoughtfully with widening eyes. “Really.”