Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

The wind went out of her, while her face displayed the opposite of a blush, turning a deathly white. Her mother was stunned as well. To see fear register on Martha Prentice’s face was akin to bliss for me. But she didn’t hem and haw about it. “When did you catch on?” Martha asked in a controlled but concerned voice.

I had no obligation to tell her the truth. I wanted the people who’d be attempting to decipher Swing to slave hopelessly over the meaningless parts for months.

I gave Martha the most credible expression of regret I could muster. “I’m afraid I didn’t catch on until just before I came here this evening,” I said in what I hoped was a bitter, rueful tone.

She looked relieved, which displeased me, so I decided to shake her up further, starting my riff as confidently as when Jack Donovan would signal to the band that he was having me solo for an extra chorus.

“As it happens,” I began, “I’m not the only one who broke the Swing code. Adeline Head did as well. That’s why she had to die.” I looked from Martha to Gail. “She’s the one whose nearly faceless body fell from the Tower of the Sun, not Marie Prasquier . . . which in turn allowed Marie to assume the vacated role of Adeline Head, becoming a citizen of the United States and a waitress without portfolio.”

I hadn’t figured out absolutely everything yet, but Gail and Martha sure as hell must have thought I had. God, I felt alive. I was so damn proud of myself and would remain so for at least another few minutes.

Gail could barely manage to speak. “What . . . why would you think such things, Ray?”

“I thought it strange that Adeline Head’s Self-Portrait began and ended with a musical theme identical to one in your Swing Around the Sun. At first I thought you might have stolen the melody from her, but I ruled that out when I realized you hadn’t really chosen the notes of your composition at all . . . they were, in fact, just part of a code. And certainly Ada would have had no reason to steal from you. Her work was in a very traditional romantic style, completely unlike your own.