Chapters (68)
- Cover Page
- Title Page
- Copyright Page
- Dedication
- Praise
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Acknowledgments
- About the Author
- Also by Rupert Holmes
- What’s next onyour reading list?
So she’d had a romance with Russ Hewett and, from the tone of the letter, a consummated one. (And I’d been worried about being too old for her!) She’d said in her note that she was living a lie, but what was it? That Russ and Gail barely knew or liked each other? Did her mother suspect the relationship? I wondered if Gail’s flirtatious behavior with me had been part of the deception, or just the way she was. Then I allowed myself the hope that this was an old note she’d written to Russ, that he’d kept it as a wistful souvenir of the briefest crush an impressionable young girl had once had for a day or two at most. Now it was over. Yes, that was possible, very possible indeed. It would also explain Russ’s drunken behavior and momentary pawing of Gail. After all, the only thing that dated the letter was that she’d been living at the Berkeley Club when she’d written it. She might have moved in there years ago.
Waiting for her now in Pacific House, I stared at a leaded-glass mural depicting the trade routes of the South Seas and watched the decorative clock alongside it reach two forty-five. If I was going to have to explain Gail’s absence to the Pan-Pacific Orchestra, it would be best for me to arrive at the rehearsal a little early.
I entered the impressive, high-timbered portal of the Japanese castle and passed an exhibition on the manufacturing of silk. A young Japanese woman in a kimono bowed to me and said in a delightfully high voice, “ Yoroshiku onegai shimasu. Irasshaimase. Welcome to Japan.” She handed me a little card with Japanese phrases on it and pointed to the translations of what she had just said.
“You do speak English?” I asked.
“Oh yeah, the staff is all Japanese American. To be honest, my Japanese has gotten kind of rusty. I can tell you all about the Pavilion though.”
I told her why I was there. “Oh sure,” she said. “The band is setting up in the rock garden. I think someone there is supposed to be greeting you. Phil . . .” She turned to a sober-faced, darker-hued youth, his hair pulled back in a tight bun appropriate to his samurai garb and long, sheathed sword. “Phil, can you cover for me while I take this gentleman to the official with the swing band?” She gave him her handful of phrase cards.
A low, broad platform about a foot high had been placed upon the white gravel of the rock garden, and the Pan-Pacific Orchestra was seated upon it, playing that universal, unwritten overture of a band warming up.