Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

The exit ramp chuted me through a veil of eucalyptus-scented mist that was already being sponged up by the morning sun and onto the slopes of the little isle that floated like a grass-covered buoy in the water. Through a break in the tall trees of its natural landscape, I got my first good look at the much larger island that human hands had built upon the waters alongside Yerba Buena while I’d been busy carpeting every square inch of the Midwest and Southeast with the Jack Donovan Orchestra.

What I saw (and I may have gasped when I did) was a sprawling walled city whose architecture seemed to be an amalgam of the Aztecan, Abyssinian, and Acropolisian. Beneath its ramparts were lavish gardens whose millions of blooms were organized in such disciplined fashion that they looked like the contents of a giant’s paint box. I guided Larry’s sedan onto a causeway that bridged the gulf between Yerba Buena and “Treasure Island” (this being its official name), paid fifty cents at a tollgate, and slow-cruised the Nash down a great boulevard lined with palm trees. Above what seemed to be the kingdom’s gateway, I was astounded to see twin Mayan pyramids that served as stepped platforms for a pair of stone elephants trumpeting to a gleaming gilt phoenix atop the island’s tallest tower. Through a second great portal in the crenellated walls, I saw a lofty yet graceful statue, a milk-white goddess standing taller than depictions of the Colossus of Rhodes or Athena at the Parthenon.

And then I came to the parking lot.

A half hour later found me seated in the Foreign Pavilion area of the Golden Gate Exposition, at the outdoor Café Lafayette, attached to the Palais de l’Élégance, dipping a warm brioche into a sweet, smoky bowl of café au lait while awaiting the arrival of a young woman I didn’t know.

It seemed strange to be eating patisserie in this mock Montparnasse while Paris was largely deprived of the same treat. France had fallen to Hitler only three months earlier, and the sale of baked goods there had been banned four days a week. So I felt guilty enjoying my little breakfast on a sunny day flecked with soft breezes from the bay. But then again, for the last eleven years I’d generally felt guilty enjoying anything.

Just as, when driving, you will sometimes notice a distant oncoming automobile and get the idea that it is intent on meeting you head-on, I watched a young woman walk my way, more and more my way, until she was sitting uninvited at my table.